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https://www.moma.org/learn/moma_learning/themes/dada/marcel-duchamp-and-the-readymade/
Marcel Duchamp. 3 Standard Stoppages. 1913–14. Seeking an alternative to representing objects in paint, Duchamp began presenting objects themselves as art. He selected mass-produced, commercially available, often utilitarian objects, designating them as art and giving them titles. “ Readymades ,” as he called them, disrupted centuries of thinking about the artist’s role as a skilled creator of original …
https://www.khanacademy.org/humanities/art-1010/dada-and-surrealism/dada2/a/dada-readymades
The term was coined by Dada artist Marcel Duchamp to describe ordinary, prefabricated objects selected by an artist and presented as art. Sometimes the object is altered, such as by combining it with another object to make an “assisted readymade.’” The first readymade consisted of a bicycle wheel mounted upside-down on the seat of a stool.
https://www.widewalls.ch/magazine/dada-collage-readymade
DADA was a rebel, an anti-artist, the one that takes a urinal and declares it an artwork. It turned everyday objects into art, a brand new kind of it, paving the way for a series of other movements that strived to be different, provoking, original. Surely the one who started it all was Marcel Duchamp, as he introduced us to the readymades: mass-produced, commercially available, utilitarian objects that turned everything upside down. The long-established definition of an artist …
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