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https://simple.wikipedia.org/wiki/Dadaism
Johannes Theodor Baargeld: Typical Vertical Mess as Depiction of the Dada Baargeld, 1920. Marcel Duchamp, Fountain, 1917. Dadaism is an avant-garde intellectual movement. It started around World War 1. Although not at first an art movement, p60/61 it did influence art greatly for a time.
https://aesthetics.fandom.com/wiki/Dadaism
Dadaism is an artistic movement in modern art that started around World War I. Its purpose was to ridicule the meaninglessness of the modern world. Its peak was 1916 to 1922, and it influenced surrealism, Pop Art, and punk rock.
https://en.wikipedia.org/wiki/Jean_Arp
From Wikipedia, the free encyclopedia Hans Peter Wilhelm Arp (16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter, and poet. He was known as Dadaist and abstract artist.
https://en.wikipedia.org/wiki/Neo-Dada
Neo-Dada was a movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, and appropriation. In the United States the term was popularized by Barbara Rose in the 1960s and refers primarily, although not exclusively, to work created in that …
https://en.wikipedia.org/wiki/Marcel_Duchamp
Dada was born out of negative reaction to the horrors of World War I. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zurich. Dada rejected reason and logic, prizing nonsense, irrationality, and intuition. The origin of the name Dada is unclear; some believe that it is a nonsense word.
https://whohadada.com/about-dadaists/who-are-dadaists/
Marcel Duchamp (July 28, 1887 – October 2, 1968) – The French artist Marcel Duchamp was an instrumental figure in the avant-garde art worlds of Paris and New York. Moving through Dada, Surrealism, readymades, sculpture, and installation, his work involves conceptual play and an implicit attack on bourgeois art sensibilities.
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