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https://folkartmuseum.org/exhibitions/dargerism-contemporary-artists-and-henry-darger/
“Dargerism: Contemporary Artists and Henry Darger” examines the influence of Darger’s remarkable and cohesive oeuvre on eleven such artists, who are responding not only to the aesthetic beauty of Darger’s mythic work—with its tales of good versus evil, its epic scope and complexity, and even its transgressive undertone—but to his unblinking work ethic and all-consuming devotion to artmaking. This exhibition demonstrates Darger’s pervasive influence on the contemporary art ...
http://folkartmuseum.org/content/uploads/2014/08/Dargerism.pdf
: Contemporary Artists and Henry Darger” examines the influence of Darger’s remarkable and cohesive oeuvre on eleven artists who are responding not only to the aesthetic beauty of Darger’s mythic work—with its tales of good versus evil, its epic scope and complexity, and even its subversive inventiveness—but to his unblinking work ethic and all-consuming devotion to artmaking. Many of these artists cite the 1997 exhibition “Henry Darger: …
https://magazine.art21.org/2008/06/02/contemporary-artists-and-henry-darger/
Jun 02, 2008 · by Nicole J. Caruth Jun 2, 2008 Dargerism: Contemporary Artists and Henry Darger at the American Folk Art Museum examines the influence of Darger’s work on eleven artists, who respond not only to the “aesthetic beauty of Darger’s mythic work, but also to his unblinking work ethic and all-consuming devotion to artmaking.”
http://officialhenrydarger.com/about/influences.html
Biesenbach's essay "American Innocence," in the book Henry Darger (Prestel, 2010), which he edited, focuses on Darger's impact on contemporary art, pointing out that Darger "created a body of work that resonates with what we now see as primary themes and concerns of artists in recent decades." Among the many current artists mentioned in that essay are several who specifically cite Darger as a source, …
https://folkartmuseum.org/content/uploads/2014/08/Dargerism_FNews.pdf
from influences ranging across our visual culture and into the depths of our imaginations, “Dargerism: Contemporary Artists and Henry Darger” tackles the tropes of storybook innocence – bikes, bows, pigtails and all – and their crossover into a darker side of double entendre, danger and evil.
https://fnewsmagazine.com/2008/06/is-henry-darger-an-ism/
Inhabited by hybrid creatures garnered from influences ranging across our visual culture and into the depths of our imaginations, “Dargerism: Contemporary Artists and Henry Darger” tackles the tropes of storybook innocence – bikes, bows, pigtails and all – and their crossover into a darker side of double entendre, danger and evil.
https://artnosh.blogspot.com/p/raw-power.html
Dargerism: Contemporary Artists and Henry Darger, American Museum of Folk Art, April 15 – September 21, 2008
https://www.outsiderartfair.com/artists/henry-darger
American, 20th century. Born 1892, Chicago, Illinois; died 1973, Chicago, Illinois. Henry Darger is one of the few Outsider Artists to achieve significant fame in mainstream culture, and is often named as the quintessential American Outsider due to the extensive and powerful body of artwork he kept hidden during his reclusive life.
https://kallirresearch.org/bio-henry-darger/
Henry Darger is one of the most widely admired “outsider” artists to be “discovered” in the last 30 years, and one of the few to reach a broad audience beyond the limited circle of folk-art devotees. ... but also at mainstream contemporary museums such as PS 1 in Long Island City. The Musée de l’Art Brut in Lausanne Switzerland has a ...
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