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(PDF) Artistic Research: Experiment in Art Godfried ...

    https://www.academia.edu/5374872/Artistic_Research_Experiment_in_Art
    Artistic Research: Experiment in Art Experimental Art as Research GODFRIED-WILLEM RAES Logos Foundation, Ghent A number of recent developments, particularly in higher education in the arts across Europe, have resulted in the theory and practice of research in art gaining new momentum.1 The underlying reason is simple: academic higher education, whether technical or purely scientific, can …

Why Artists Must Experiment. Experimentation isn’t just ...

    https://medium.com/swlh/why-artists-must-experiment-e9107f3abf1e
    Jun 13, 2019 · Recognizing an act as an experiment releases it from a lot of seriousness, a lot of demands of perfection. The outcome of experimentation …Author: Kat Crow

Artistic Experimentation in Music - Logos Foundation

    https://logosfoundation.org/g_texts/ORCiM_2012/Artistic%20Experimentation%20in%20Music%20-%20Raes%20-%20DEF.pdf
    Artistic Experimentation in Music . An Anthology . Edited by: Darla Crispin & Bob Gilmore . With contributions from: Paulo de Assis (ORCiM), Richard Barrett (Institute of Sonology, The Hague), Tom Beghin (McGill University), William Brooks (University of York, ORCiM), Nicholas G. Brown

AIA Pittsburgh The Art of Experimentation

    https://aiapgh.org/feature-articles/the-art-of-experimentation/
    Jul 20, 2012 · The Art of Experimentation Where art and architecture meet. By Deborah Knox Posted on July 20, 2012. ... volunteered to assist in the development of mathematical formulas while the BCJ team derived empirical information via the mock-ups. The second challenge was fabrication of such glazing. A key fabrication challenge is that glass cannot be ...Estimated Reading Time: 5 mins

(PDF) A Theory of Experimentation in Art? Reading Kubler’s ...

    https://www.academia.edu/6541887/A_Theory_of_Experimentation_in_Art_Reading_Kubler_s_History_of_Art_after_Rheinberger_s_Experimental_Systems
    Artistic experimentation is the driving force behind the development of forms, a premise that Kubler takes from the French art historian Henri Focillon.

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