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https://sacstateaesthetics.wordpress.com/2017/03/03/why-does-plato-hate-the-arts-4/
Mar 03, 2017 · One of Plato’s critiques of art is that young children are supposed to be raised to become guardians and if they are exposed to stories that reflect the gods in a negative light or that highlights characteristics such as spite and fear, then they will …
https://sacstateaesthetics.wordpress.com/2017/02/10/why-does-plato-hate-the-arts/
Feb 10, 2017 · February 10, 2017. / Phillip Barron. In Republic, Plato is quite hostile to the arts, especially poetry. His concerns can be grouped into three categories: theological, moral, and epistemological. As I suspected you might, many of you were, in turn, hostile toward Plato’s views. Here’s your chance to respond.
http://www.stephenhicks.org/2012/01/21/plato-on-censoring-artists-a-summary/
Jan 21, 2012 · In The Republic, Plato makes a systematic case for censoring all arts. The task of the Platonic philosopher is to take up the “ancient quarrel between philosophy and poetry” [607b] and to assert the State-enforced dominance of philosophy. To that end, The Republic as a whole is a powerful integration of philosophy, religion, education, and politics, and its argument for the political …
https://answers.yahoo.com/question/index?qid=20070326013727AA5DQ13
Mar 26, 2007 · EchoHound. 1 decade ago. The short, simplistic answer: Plato did not trust art. The arts -- including poetry -- are inferior, mere representations of pure forms, and vulnerable to human error,...
http://users.rowan.edu/~clowney/aesthetics/philos_artists_onart/plato.htm
Plato had a love-hate relationship with the arts. He must have had some love for the arts, because he talks about them often, and his remarks show that he paid close attention to what he saw and heard.
https://decodedpast.com/platos-argument-art-is-an-imitation-of-an-imitation/
Sep 20, 2013 · Art can never truly represent reality, for life itself, of which art is merely a copy, does not represent reality, according to Plato. Our world “…as we experience it, is an illusion, a collection of mere appearances like reflections in a mirror or shadows on a wall.” (Quoted by Rosalind Hursthouse in “Truth and Representation ...
https://journals.openedition.org/etudesplatoniciennes/997
Plato was certainly familiar with this view and, though he probably did not take it seriously, it remains significant that he supposed that the world-soul is divided into harmonic intervals and made the celestial movements depend on this ‘musical’ structure, cf. Timaeus, 35b ff., together with the commentary by F.M. Cornford, Plato’s ...
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