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Die Brücke Movement Overview TheArtStory

    https://www.theartstory.org/movement/die-brucke/
    Progenitors of the movement later known as German Expressionism, Die Brücke formed in Dresden in 1905 as a bohemian collective of artists in staunch opposition to the older, established bourgeois social order of Germany. Their art confronted feelings of alienation from the modern world by reaching back to pre-academic forms of expression including woodcut prints, carved wooden sculptures, and "primitive" …

Die Brücke - Important Paintings TheArtStory

    https://www.theartstory.org/movement/die-brucke/artworks/
    May 21, 2015 · Artist: Ernst Ludwig Kirchner. The charismatic center of Die Brücke, Ernst Ludwig Kirchner composed and printed their original group statement a year after their formation, championing in it their youth and claims of authenticity. The statement, seen here, was turned into a leaflet and distributed at the group's first exhibition.

Die Brücke (The Bridge) MoMA - The Museum of Modern Art

    https://www.moma.org/collection/terms/15
    Die Brücke (The Bridge) The artists’ group Die Brücke was established in 1905, a moment that is recognized as the birth of Expressionism. The affiliated artists often turned to simplified or distorted forms and unusually strong, unnatural colors to jolt the viewer and provoke an emotional response. Its leading members were Erich Heckel, Ernst Ludwig Kirchner, Max Pechstein, and Karl Schmidt-Rottluff.

die Brucke - the-artists.org

    https://www.the-artists.org/die-Brucke/
    Dec 28, 2008 · die Brucke. (movement, 1905-1913) (German, “The Bridge”), group of German expressionist artists, founded in Dresden in 1905, whose work marked the beginning of modern art in Germany. The principal members were the architectural student Ernst Ludwig Kirchner, in whose studio they regularly gathered, and his friends Erich Heckel, Fritz Bleyl, Karl Schmidt-Rottluff, and, later, …

Die Brücke art organization Britannica

    https://www.britannica.com/topic/Die-Brucke
    Die Brücke, (German: “The Bridge”) organization of German painters and printmakers that from 1905 to 1913 played a pivotal role in the development of Expressionism. The group was founded in 1905 in Germany by four architectural students in Dresden— Karl Schmidt-Rottluff, who gave the group its name, Fritz Bleyl, Erich Heckel, and Ernst Ludwig Kirchner.

Die Brücke Art Movement - Ernst Ludwig Kirchner

    http://www.ernstludwigkirchner.org/die-brucke/
    Expressionism may never have happened were it not for the formation of the Die Brücke art movement in Dresden, 1905. The leaders of this forward-thinking artist collective included Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel and Karl Schmidt-Rottluff. Group of Artists, a painting by Kirchner from 1926/27 is shown to the left and depicts the four key figures of the movement, with Otto Mueller in …

Die Brucke: German Expressionist Art Group, Dresden

    http://www.visual-arts-cork.com/history-of-art/die-brucke.htm
    Similar to its later Munich counterpart Der Blaue Reiter (Blue Rider), Die Brucke was open to 20th century painters from around Europe, thus in 1906 the Swiss painter Cuno Amiet (1868-1961) and the German Emil Nolde (1867-1956) were invited to join, as were Max Pechstein (1881-1955) and the Finnish artist Akseli Gallen-Kallela (1865-1931).

Die Brücke - Wikiquote

    https://en.wikiquote.org/wiki/Die_Br%C3%BCcke
    Feb 25, 2021 · Die Brücke (The Bridge) was a group of young German artists, who came together since 1905 - first in Dresden and later in Berlin - as a part of the whole art movement Expressionism of Germany. Die Brücke rejected the approach of Impressionism in art and searched for intensive and emotional painting by using emotive and unbroken colors in strong forms. The Brücke artists rejected …

How Die Brücke (The Bridge) Celebrated the Power of Color ...

    https://www.ideelart.com/magazine/die-brucke
    Feb 04, 2019 · To most turn-of-the-century Germans, the artists of Die Brücke seemed like wild men. When Franz Marc first saw an exhibition of their colorful, primitivist paintings, he dubbed them “the Fauves of Germany,” a reference to les Fauves, or “wild beasts,” a group of artists working at the same time in France led by André Derain and Henri Matisse who also employed luminous, unrealistic hues.

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