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https://www.britannica.com/topic/Die-Brucke
Die Brücke, (German: “The Bridge”) organization of German painters and printmakers that from 1905 to 1913 played a pivotal role in the development of Expressionism. The group was founded in 1905 in Germany by four architectural students in Dresden— Karl Schmidt-Rottluff, who gave the group its name, Fritz Bleyl, Erich Heckel, and Ernst Ludwig Kirchner.
https://www.theartstory.org/movement/die-brucke/
Summary of Die Brücke. Progenitors of the movement later known as German Expressionism, Die Brücke formed in Dresden in 1905 as a bohemian collective of artists in staunch opposition to the older, established bourgeois social order of Germany. Their art confronted feelings of alienation from the modern world by reaching back to pre-academic forms of expression including woodcut prints, carved …
http://www.ernstludwigkirchner.org/die-brucke/
from Amazon Expressionism may never have happened were it not for the formation of the Die Brücke art movement in Dresden, 1905. The leaders of this forward-thinking artist collective included Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel and Karl Schmidt-Rottluff.
https://artuk.org/discover/art-terms/die-brucke
The art of Die Brücke remained strongly figurative, often depicting figures in a landscape. Graphic art was a particular speciality, especially the dramatic woodcuts produced by Heckel and Schmidt-Rottluff with their characteristic strong patterns of black and white and bold cutting of the block.
https://www.artsy.net/gene/die-brucke
Die Brücke was founded by Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner, and Karl Schmidt (later Schmidt-Ro ttluff) as an artist's associatio n in Dresden in 1905. Its name translates as “The Bridge,” a metaphor for art’s purpose of opening passage to new worlds. Closely associated with German Expression ism, Die Brücke broke with the traditions of both academic painting and Post-Impre ssionism through a use …
http://www.visual-arts-cork.com/history-of-art/die-brucke.htm
Die Brucke actively promoted itself at over twenty exhibitions (1906-13) showing a variety of media including woodcuts, posters and fabric designs, as well as painting and sculpture. However, divisions within the group emerged from 1907 onwards, and as the geographical focus of the group shifted from Dresden to Berlin - a move completed by 1911 - the already divided movement began to fragment in …
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