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https://www.sothebys.com/en/articles/richard-diebenkorns-artistic-evolution-a-brave-statement-of-independence
Jun 03, 2020 · R ichard Diebenkorn’s remarkable career was shaped and ultimately defined by a balance struck between seemingly disparate artistic forces. Contrary to the prevailing stylistic philosophy of his generation – a group of artists operating in the wake of the Second World War whose compulsion toward an aesthetic break with Modernism inspired a disavowal of representational art – Diebenkorn determinedly and deliberately charted his own course, embracing the grand art …
http://diebenkorn.org/the-artist/biography/
The “Albuquerque period” represents the first mature statement of Richard Diebenkorn’s distinctive, and powerful, presence on the American avant-garde art scene. During the Albuquerque years, Diebenkorn visited and was greatly impacted by a retrospective exhibition …
https://www.theartstory.org/artist/diebenkorn-richard/
Although Richard Diebenkorn was a great student and teacher of art, he did not, in the end, contribute in any revolutionary way to the narrative of art history. However, it is significant that he was a contemporary artist who could successfully combine such diverse influences as Abstract Expressionism , Color Field Painting , and the whole history of European "belle peinture" ("beautiful painting").Nationality: American
https://en.wikipedia.org/wiki/Richard_Diebenkorn
Richard Diebenkorn was an American painter and printmaker. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. In the late 1960s he began his extensive series of geometric, lyrical abstract paintings. Known as the Ocean Park paintings, these paintings were instrumental to his achievement of worldwide acclaim. Richard Diebenkorn Richard Diebenkorn …Born: April 22, 1922, Portland, Oregon
http://www.artnet.com/magazine_pre2000/features/klein/klein10-29-97.asp
Diebenkorn's first statements as a young painter were quite different. His earliest works in the exhibition, from the late `40s and early `50s when he lived in Albuquerque and Urbana, are very much of the New York School, wet and woolly, impasto-rich and flamboyant.
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