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https://www.academia.edu/12152983/Drawn_from_Memory_Comics_Artists_and_Intergenerational_Auto_biography
Drawn from Memory: Comics Artists and Intergenerational Auto/biography. Download. Drawn from Memory: Comics Artists and Intergenerational Auto/biography. Candida Rifkind. Résumé : Le présent article jette un regard sur la dynamique des relations père-fils et les problèmes de collaboration intergénérationnelle dans Maus I and II, d'Art ...
https://www.utpjournals.press/doi/abs/10.3138/cras.38.3.399
Abstract. This article examines the dynamics of father–son relationships and the problems of intergenerational collaboration in Art Spiegelman's Maus I and II, Seth and John Gallant's Bannock, Beans, and Black Tea: Memories of a Prince Edward Island Childhood during the Depression, and Chris Ware's Jimmy Corrigan: The Smartest Kid on Earth.All three authors are critically acclaimed ...Cited by: 9
https://bookcandy.typepad.com/files/maus-questions-and-answers.pdf
This double-autobiography of a son’s relation to his father and the father’s survival in one ... Rifkind, Candida. “Drawn from Memory: Comics Artists and Intergenerational Auto/biography.” Canadian Review of American Studies 38.3 (2008): 399-427 ... nationality were drawn identically using slight details in their clothing to distinguish ...
https://www.goodreads.com/book/show/11391817-drawing-from-memory
While all of his books stem from his lifetime experiences, Drawing from Memory is Say’s first autobiographical work focused on how he became an artist. Born in Yokohama, Japan in 1937, he was taught by his mother to rea I met Allen Say at a “Meet the Artist” event at the Eric Carle Museum in 2007 when they were running an exhibit of his work called Allen Say: a Sense of Place.3.9/5
https://www.academia.edu/16571584/Spiegelman_Studies_Part_1_of_2_Maus
Subsequent critics such as Andrea Liss (Trespassing Through Shadows: Memory, Photography & the Holocaust 1998), Mulman (2008), Candida Rifkind (‘Drawn from Memory: Comics, Artists and Intergenerational Auto/biography’ 2008), Alison Mandaville (‘Tailing Violence: Gender, and the Father-Tail in Art Spiegelman’s Maus’ 2009) and Loman ...
https://www.pinterest.com/rcdelgadillo/sometimes-a-mere-glance-will-do-a-visual-bibliogra/
Jun 10, 2016 - "The memoirs in this collection blur the boundaries between fantasy and reality, between identity and alterity, between history and the personal mythologies we create...If you enter these texts, prepare to be amazed, submerged, and challenged." ---Karma Waltonen, Ph.D., from Introduction to Peter J. Shields Library Exhibit (July 1 to October 31, 2010).403 pins
https://muse.jhu.edu/issue/14110
Canadian Review of American Studies publishes essays, review essays and shorter reviews whose purpose is the multi- and inter-disciplinary analysis and understanding of the culture, both past and present, of the United States - and of the relations between the cultures of the U.S. and Canada. It invites contributions from authors in, and outside, all relevant scholarly disciplines, in English ...
https://www.academia.edu/11384897/A_Second_Generation_Survivor_s_Tale_Maus_Self_Reflexive_Narrative_as_Problematizing_Representation_Guilt_and_Survivorship
Narrative 11.2 (2003): 177–98. MUSE. Prince, Robert M. The Legacy of the Holocaust: Psychohistorical Themes in the Second-generation. New York: Other Press, 1985. 37-78. Web. Rifkind, Candida. “Drawn from Memory: Comics Artists and Intergenerational Auto/biography.” Canadian Review of American Studies 38.3 (2008): 399-427.
https://www.researchgate.net/publication/293099419_That_Mouse's_shadow_The_canonization_of_Spiegelman's_Maus
Subsequent critics such as Andrea Liss (Trespassing Through Shadows: Memory, Photography & the Holocaust 1998), Mulman (2008), Candida Rifkind ('Drawn from Memory: Comics, Artists and ...
https://www.utpjournals.press/doi/abs/10.3138/CRAS-006-01-03
That Herman Melville's first book, Typee: A Peep at Polynesian Life, contains elements of autobiography is indisputable, but what he made of his Marquesan excursion and captivity, if more than travelogue, is little explored.1 "The fact that the work is strongly autobiographical bothers some critics," observes a commentator who takes the real "memoirs" of Typee to be aesthetic rather than ...
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