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https://www.italian-renaissance-art.com/Duccio.html
Duccio. Duccio di Buoninsegna was born in Siena, Tuscany in about 1256. He was one of the most influential artists of his time along with that other great master from Tuscany, Cimabue. He spent almost his entire working life in Siena.
https://www.britannica.com/biography/Duccio
Duccio, in full Duccio di Buoninsegna, (born 13th century, Siena, Republic of Siena—died c. 1319, Siena?), one of the greatest Italian painters of the Middle Ages and the founder of the Sienese school. In Duccio’s art the formality of the Italo-Byzantine tradition, strengthened by a clearer understanding of its evolution from classical roots, is fused with the new spirituality of the Gothic style.
https://www.artsy.net/artist/duccio
Duccio di Buoninsegna (or simply Duccio) was an artist active during the Middle Ages and a defining innovator of the Sienese School. He painted with a linear and decorative style, frequently using gold and strong colors to create linear patterns—the result of combined influences from Byzantine tradition and the French Gothic.Nationality: Italian
https://www.pinterest.com/donnatupaea/renaissance-duccio/
Duccio di Buoninsegna (c. 1255-1260 – c. 1318-1319) was an Italian artist, active in the city of Siena in Tuscany, where he was born. Duccio Di BuoninsegnaJesus Is RisenJesus ChristThe TransfigurationEuropean PaintingsThe Kingdom Of GodItalian ArtistImage CollectionLes Oeuvres74 pins
https://www.britannica.com/biography/Duccio/Later-commissions
Numerous documents attest to Duccio’s action in Siena during the 20 years following the creation of the Madonna Rucellai. He was by now the leading painter of the city and as such executed in 1302 an altarpiece, now lost, for the altar of the chapel of the Palazzo Pubblico, the city hall.
https://arthistorybuff.art/2017/01/09/giotto-v-duccio-christ-entering-jerusalem/
Jan 09, 2017 · Similar to Giotto’s work, Duccio used the trees to balance the the image with the mammoth city of Jerusalem behind. Duccio clearly has more understanding on painting structure and architect than Giotto. The gate and building beyond is almost perfectly symmetrical which is an advance understanding in early 14th century.Estimated Reading Time: 3 mins
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