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https://www.theartstory.org/artist/kienholz-edward/
An American artist of unwavering originality, critical insight, and notoriety, Edward Kienholz created powerful work that reflected upon contemporary social and political issues of late-20 th -century America.Nationality: American
http://www.artnet.com/artists/edward-kienholz/
Edward Kienholz was an American artist known for his found-object assemblages and installations he referred to as tableauxs. In one of his most controversial works, The State Hospital (1966), Kienholz provided a grisly account of the filth-laden conditions he saw while working at a …Nationality: American
https://www.theartstory.org/artist/kienholz-edward/artworks/
While Kienholz had previously created multiple-figure tableaux such as the seminal Roxy's (1960-61), this was the most technically intricate example of the installation format in his early career. Multimedia installation - The Stedelijk Museum, Amsterdam
https://www.the-artists.org/edward-kienholz/
Edward Kienholz the artist The artist Edward Kienholz Born Oct 23 1927, Fairfield, Washington, USA. Died June 10 1994, Sandport, Idaho, USA.
https://www.britannica.com/biography/Edward-Kienholz
Edward Kienholz, (born October 23, 1927, Fairfield, Washington, U.S.—died June 10, 1994, Hope, Idaho), American self-taught sculptor known for his elaborate found-object assemblages, which convey a harsh scrutiny of American society.
https://areaofdesign.com/edward-kienholz/
An American artist of unwavering originality, critical insight, and notoriety, Edward Kienholz created powerful work that reflected upon contemporary social and political issues of …
https://www.artsy.net/artist/edward-and-nancy-reddin-kienholz
Edward Kienholz’s collaboration with his wife Nancy Reddin Kienholz began in 1972, when they met in Los Angeles. Edward had been an active artist for decades prior to meeting Nancy, a photojournalist. In their collaboration, the Kienholzes further developed the quasi-autobiographical, assemblage installations that Edward was famous for.
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