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James and Eleanor Avery - homepage

    http://jamesandeleanoravery.com/
    Collaborative Artists working in sculpture and installation. Cuddle Curtain is currently showing in 15 Artists at Redcliffe Art Gallery, QLD Australia . These works were made during our Museum of Brisbane MoB Artists@Home lockdown studio residency 8 May - 19 June 2020

Eleanor Avery (@el3an0r._.a) TikTok Watch Eleanor Avery ...

    https://www.tiktok.com/@el3an0r._.a
    Eleanor Avery (@el3an0r._.a) on TikTok 8.7K Likes. 1.3K Fans. 15 تYoung artist ت “When the sun shines we shine together...” ♡︎ rhianna ♡︎

James and Eleanor Avery – Brisbane Art Guide

    http://bneart.com/james-and-eleanor-avery/
    James and Eleanor Avery. James and Eleanor Avery work both individually and collaboratively, and have been collaborating on large scale sculpture and installation projects, including commissioned public art projects, since 2004. They work between Brisbane, Australia and London, UK and many of their works develop out of international studio residencies.

UAP with James & Eleanor Avery

    https://www.uapcompany.com/studio/thestarsydney
    James and Eleanor Avery’s sculpture Lucky Dip takes the form of a gliding swallow carrying two diamonds in its beak. The suspended aluminium work greets hotel guests at the entrance of the luxury hotel The Darling at The Star. The purpose of the work is to bring life and energy to the site through positive symbolism.

James and Eleanor Avery - cv

    http://jamesandeleanoravery.com/cv.html
    eleanor avery 1994 BA (hons) 1st Class - Multi Media Textiles - Loughborough University School of Art & Design, UK 2000 MA Fine Art - Birmingham City University, UK

UAP with James & Eleanor Avery

    https://www.uapcompany.com/studio/the-valley-brisbane
    Collaborative artists James and Eleanor Avery created a suspended artwork as the central focal point in the M+A laneway, leading pedestrians through the space and provoking the feeling of an urban lounge room. The artists describe the work as a reinterpretation of a decorative deer’s head, complete with antlers and an ornamental moulding ‘ceiling rose’ inspired by natural forms.

Pop culture meets history in Eleanor and James Avery's ...

    https://www.abc.net.au/radionational/programs/the-art-show/eleanor-and-james-avery/10558192
    Nov 28, 2018 · Artists Eleanor and James Avery are partners both in life and in work. Dividing their time between Brisbane and the United Kingdom, the pair collaborate to create large-scale sculptures, many of which are commissioned for public art projects. Husband/wife artist duo James and Eleanor Avery have been collaborating together for nearly 15 years.

J AME S & ELEANOR AVERY - Museum of Brisbane

    https://www.museumofbrisbane.com.au/wp-content/uploads/2020/12/MoB-Makers-James-and-Eleanor-Avery.pdf
    Artists and partners James and Eleanor Avery have been collaborating on large scale sculpture, installation and public art projects for nearly 20 years, working between Brisbane and Europe. James and Eleanor create works which combine fiction and documentary, basing each piece on an exploration of a historical site or event, which they reinterpret and reformulate using pop culture references.

MoB Makers: Exploring Geometric Sculpture - Museum of ...

    https://www.museumofbrisbane.com.au/mob-makers-geometric-sculpture/
    Construct your very own mini-geometric sculpture with artists James and Eleanor Avery! This activity guides you through creating a model of a sponge inspired by James and Eleanor’s MoB Artists @ Home residency. You will need: Templates provided in this PDF. 6 sheets of A4 paper or card (we used 200 gsm white card) ...

SEAN E AVERY

    https://seaneavery.com/home.html
    Sean E Avery is a teacher, writer-illustrator, sculptor and designer born in South Africa; living in Perth, Western Australia. He is a passionate Art teacher at Carnaby Rise Primary School in Landsdale. Sean’s first picture book with Fremantle Press, All Monkeys Love Bananas, is a hit with children in Australia, The Middle East and Asia.

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