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https://stanleymuseum.uiowa.edu/about/stories-from-sma/elizabeth-catlett-a-legacy-for-iowa/
Melanie Herzog, in her book Elizabeth Catlett: An American Artist in Mexico, quotes Catlett as saying “We were concerned not only with problems in Mexico; the problems of whatever oppressed people, colonial or semicolonial, were of concern to us.”
https://www.elizabethcatlettart.com/bio
One of the most important American artists of the past century, Elizabeth Catlett is honored as a foremother by subsequent generations.
https://thejohnsoncollection.org/elizabeth-catlett/
The granddaughter of enslaved people, Elizabeth Alice Catlett grew up in a middle-class home in Washington, DC, and dreamed of becoming an artist. She executed her first sculpture in high school—carving an elephant from soap—but did not return to …
http://www.griotsrepublic.com/elizabeth-catlett-the-grandmother-clause/
In her 1973 artist’s statement, Elizabeth Catlett wrote: “No other field is closed to those who are not white and male as is the visual arts.
https://www.swanngalleries.com/news/african-american-art/2015/12/notes-from-the-catalogue-elizabeth-catletts-varied-mediums/
Recognition is a striking sculpture that epitomizes Elizabeth Catlett’s masterful mid-career work, and makes a powerful figurative statement. By 1970, Catlett had successfully incorporated more abstract qualities and social commentary into her sculpture. Recognition aesthetically speaks to the bonds of relationships and our interdependence.
https://blackartstory.org/2020/08/24/profile-elizabeth-catlett-1915-2012/
Aug 24, 2020 · Elizabeth Catlett was an American and Mexican graphic artist and sculptor best known for her depictions of the African-American experience in the 20th century, which often focused on the female experience. She was born and raised in Washington, D.C. to parents working in education, and was the grandchild of freed slaves.
https://www.culturetype.com/2017/11/08/artforum-powerful-clenched-fist-sculpture-by-elizabeth-catlett-graces-november-cover/
Nov 08, 2017 · “Here visitors confronted an enormous clenched fist (Black Unity, 1968), carved in wood by sculptor and graphic artist Elizabeth Catlett. Its defiance was all the more striking in juxtaposition with Faith Ringgold’s nearby painting American People Series #20: Die, 1967, a Guernica-style rendering of the bloody riots of the summer of ’67.”
https://www.krystlelemonias.com/artist-statement
Artist Statement. Immigrant Black communities have contributed richly to the United States cultural diversity and the workforce despite systemic inequalities they face. ... Elizabeth Catlett, Helen West Heller, Willie Cole, and Arthur Gonzalez among other artists that explore similar narratives. My work is adding to the larger archive of visual ...
https://theartofeducation.edu/2020/10/05/october-9-printmakers-to-inspire-learning/
Oct 05, 2020 · Elizabeth Catlett Elizabeth Catlett’s powerful work is well known. She is often an artist we look to when teaching our students about linocuts and block printing. While attending the University of Iowa, her painting teacher, Grant Wood, encouraged her to find inspiration from what she knew.
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