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https://www.guernicamag.com/back-draft-emma-mcmillan/
Sep 09, 2020 · Emma McMillan is a painter based in the Bronx. McMillan studied at Cooper Union in the early 2010s under the influence of Alex Katz, Thomas Hischorn, Robert Bordo, and Jutta Koether and David Weir.
https://atlantacontemporary.org/exhibitions/emma-mcmillan
Aug 24, 2019 · Emma McMillan (b. 1989 in Atlanta, Georgia) works and resides in New York City. She attended the Cooper Union in New York where she received her BFA in 2012. McMillan’s art evokes abstract, gothic, and expressionist elements through …
https://www.artspace.com/artist/emma-mcmillan
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https://artviewer.org/emma-mcmillan-at-bad-reputation/
Artist: Emma McMillan. Exhibition title: Live Burial. Venue: Bad Reputation, Los Angeles, US. Date: December 21, 2017 – February 4, 2018. Photography: all images copyright and courtesy of the artist and Bad Reputation, Los Angeles. Bad Reputation is pleased to present Emma McMillan Live Burial.
https://flash---art.com/2018/02/emma-mcmillan-live-burial/
Live Burial, Emma McMillan’s current solo exhibition at Bad Reputation in Los Angeles, is similarly a matter of life and death. In her usual fashion, the artist exhumes and dissects sacred material from “the junkie’s crypt,” as she refers to it, the activity comprising a …
https://contemporaryartdaily.com/2018/01/emma-mcmillan-at-bad-reputation/
Dec 21, 2017 · Images courtesy of the artist and Bad Reputation, Los Angeles. Photos by Gillian Steiner. Press Release: Bad Reputation is pleased to present Emma McMillan Live Burial.. Throughout the Gothic period and the Renaissance, the art of stained glass painting was one of the most prominent methods of image making.
https://contemporaryartdaily.com/2019/02/emma-mcmillan-at-edouard-montassut/
Emma McMillan’s exhibition, Bleu de Prusse, centers this technological contingency and in doing so highlights the ways in which the color blue constitutes a rich material modality; a reminder that language, whether verbal or visual, is ultimately an augmentation of action and as such inevitably reflects our affordances with respect to the world.
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