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https://www.brooklynmuseum.org/eascfa/dinner_party/place_settings/theodora
Theodora’s plate was painted to resemble mosaic tiles. The imagery is a symmetrical abstract butterfly form, each wing stretching to the edge of the plate. The extended wings represent Theodora’s ability to expand her own role in Byzantium and to create …
https://empresstheodoraandretinue.weebly.com/empress-theodora-and-her-retinue.html
This mosaic illustrates the meaning of royalty presenting objects of value to the church.Theodora was known to be the responsible of the victory of Justinian in Constantinople. She was also known for her beauty and this mosaic frames in huge towering tiara with diamonds, esmeralds, sapphires, …
https://www.getty.edu/art/collection/objects/40763/fratelli-alinari-mosaic-of-empress-theodora-basilica-of-st-vitale-ravenna-italian-about-1890-1920/
Mosaic of Empress Theodora, Basilica of St. Vitale, Ravenna. Artist/Maker: Fratelli Alinari (Italian, founded 1852) Culture: Italian. Places: Italy (Place Created) Ravenna, Italy (Place Depicted) Date:
https://www.metmuseum.org/art/collection/search/466587
Title: Empress Theodora and Members of Her Court. Date: early 20th century (original dated 6th century) Culture: Byzantine. Medium: Glass and stone Tesserae. Dimensions: Overall: 104 x 144 x 5 in. (264.2 x 365.8 x 12.7 cm) Classification: Reproductions-Mosaics. Credit Line: Fletcher Fund, 1925. Accession Number: 25.100.2a-e
https://www.etsy.com/listing/719509593/empress-theodora-wife-of-justinian
The Empress Theodora (Inspiration from Ravvena in Italy) Empress Theodora was the wife of Justinian I who was crowned Emperor of the Byzantine Empire in 527 AD. All of Petridis Argiris mosaic artist (with a deep knowledge of mosaic history and technique https://mosaicsgreece.blogspot.com ) arts were made between the decades of 1940-1950.
https://www.metmuseum.org/exhibitions/listings/2012/byzantium-and-islam/blog/topical-essays/posts/san-vitale
Jun 25, 2012 · June 25, 2012. Nazanin Hedayat Munroe, Artist and Art Historian. The pinnacle of early imperial Byzantine dress is best seen in the mosaics of Emperor Justinian and Empress Theodora at the Church of San Vitale in Ravenna, Italy (ca. 547 A.D.). Facing opposite one another in the apse of the church, each mosaic depicts the main figure bedecked in finery and accompanied by a retinue.
http://arthistoryteachingresources.org/lessons/byzantine-art-and-architecture/
Theodora, on the opposite wall, appears similarly bejeweled and extends an elaborate chalice, adopting a pose that mimics the scene of the Magi embroidered along her cloak’s hem. Just as in the Transfiguration of Christ, both mosaics of the Emperor and his wife ascribe to the flattened aesthetic of Byzantine artistic production. An emphasis on depth and perspective is here replaced with flattened, almost floating …
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