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about — Eva Masterman

    http://www.evamasterman.com/about/
    Eva Masterman . Investigation into material and process led practices through cross-disciplinary workshops, seminars and writing, predicates my art-work.

Eva Masterman City & Guilds London Art School

    https://www.cityandguildsartschool.ac.uk/eva-masterman-2/
    Eva Masterman graduated from Kingston University in 2008 with a First Class Honours BA in Fine Art, and completed her MA in Ceramics and Glass at the Royal College of Art in 2016. She has exhibited widely across the U.K. and abroad, including two solo-shows at the William Bennington Gallery, London. She was the recipient of the 2016 Anthology Art Prize at the Charlie Smith Gallery, and the Royal …

Eva Masterman - YAC Young Artists in Conversation

    https://youngartistsinconversation.co.uk/Eva-Masterman
    Eva Masterman is an artist that has risen to prominance through her continual work with clay. I caught up with Eva shortly after she presented her recent exhibition Strange Comfort at Lily Brooke . Strange Comfort , installation view, Lily Brooke, 2019.

Eva Masterman's Work Rooted in the Idea of Process

    https://cfileonline.org/exhibition-eva-mastermans-work-rooted-idea-process-contemporary-ceramic-art/
    LONDON — Eva Masterman is a gifted artist and writer. Her dissertation for the Royal College of Art, C-Forum, was shortlisted for the Henry Moore Fine Art Dissertation Prize and it is a featured addition to our cfile.library. The following is an exhibition of her work, coupled with her statement.

Eva Masterman Royal College of Art

    https://www.rca.ac.uk/showcase/show-rca/eva-masterman/
    Eva Masterman’s practice endeavours to create a collective visual language that investigates the encounter between process, maker and viewer. Connecting gestures of surface and form are reactivated through site-specific curation and installation, creating tension through displacement of the familiar.

cfile.library Artist and Writer Eva Masterman: The State ...

    https://cfileonline.org/cfile-library-artist-and-writer-eva-masterman-fleshes-out-state-of-ceramic-art-today/
    08.01.16. As a part of her Royal College of Art graduate dissertation, Eva Masterman produced the first issue of C-Forum, her publication that seeks to flesh-out the cross-disciplinary state of clay in contemporary visual culture. It was shortlisted for the Henry Moore Fine Art Dissertation Prize this year.

Eva Masterman Winner Anthology Art Competition ...

    https://www.artlyst.com/features/eva-masterman-winner-anthology-art-competition-interviewed-by-paul-carter-robinson/
    Paul Carter Robinson interviews Eva Masterman, the winner of the 2016 Anthology Art Competition, sponsored by CHARLIE SMITH LONDON. The £2000 prize was awarded on 4 August 2016. Masterman, a Royal College of Art Ceramics and Glass graduate, has an interest in material and process that forms the basis of her work. AL: How do […]

Eva Masterman, Author at a-n The Artists Information Company

    https://www.a-n.co.uk/person/eva-masterman/
    Dec 10, 2018 · Eva Masterman. Eva graduated from the RCA Ceramics MA in 2016 and subsequently has exhibited in international exhibitions at The Clay Arch, South Korea, and at the British Ceramic Biennial in Stoke on Trent. She has also spoken at conferences throughout the UK, Europe and America and runs a socially engaged clay collective, Collective Matter, out of their studio in Bermondsey with …

Staff Profiles - Arts and Cultures, School of - Newcastle ...

    https://www.ncl.ac.uk/sacs/staff/profile/evamasterman.html
    Eva Masterman graduated from Ceramics and Glass at the Royal College of Art in 2016. She has exhibited widely across the U.K. and abroad, including two solo-shows at the William Bennington Gallery, London and at the Clayarch Museum in South Korea. In 2017, she was selected for a residency exchange with Camden Arts Centre and Arts Initiative Tokyo, Japan.

Eva Masterman Royal College of Art

    https://www.rca.ac.uk/students/eva-masterman/
    Eva Masterman’s practice endeavours to create a collective visual language that investigates the encounter between process, maker and viewer. Connecting gestures of surface and form are reactivated through site-specific curation and installation, creating tension through displacement of the familiar.

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