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https://www.cambridge.org/core/journals/science-in-context/article/explosive-propositions-artists-react-to-the-atomic-age/9691DA151C1E7E6B877BEDBC1E1AC677
Jan 13, 2005 · The energetic paintings of the Italian Spatial Movement were, according to Time, “almost as explosive as the bomb itself.” “Explosiveness” was a defining feature of much 1950s art, whose main impulse, gestural abstraction, has previously been understood as the urgent expression of the artist's subjectivity. This paper argues that explosiveness in art can also be seen as an “expression” of the …Cited by: 6
https://www.researchgate.net/publication/231887562_Explosive_Propositions_Artists_React_to_the_Atomic_Age
Download Citation Explosive Propositions: Artists React to the Atomic Age Argument “How should a modern artist react to the atomic age?” Time magazine posed this question in 1952 to open a ...Author: Stephen Petersen
http://content.time.com/time/magazine/article/0,9171,859651,00.html
May 26, 1952 · In Venice last week, 13 Italian painters who call themselves "spatialists" and "nuclearists" gave their answer with an exhibit "inspired by the atomic bomb…
https://www.researchgate.net/publication/262832908_Science_Art_and_Landscape_in_the_Nuclear_Age
This paper argues that explosiveness in art can also be seen as an “expression” of the realities of the nuclear era. Postwar artists were ambivalent about the explosive forces, both liberating ...Author: Catherine Jolivette
https://en.wikipedia.org/wiki/Nuclear_weapons_in_popular_culture
Mar 11, 2005 · Stephen Petersen, "Explosive Propositions: Artists React to the Atomic Age" in Science in Context v.14 no.4 (2004), p. 579-609. Jerome F. Shapiro, Atomic Bomb Cinema (New York: Routledge, 2002). "Reflections: The Cleve Cartmill Affair" by Robert Silverberg
https://www.apollo-magazine.com/nuclear-powered-the-art-of-the-atomic-age/
Moore’s sculpture, completed 50 years ago this year, marks the place where the nuclear age dawned, the site of the converted squash court where, with a 25-foot stack of uranium and graphite, Enrico Fermi’s team successfully engineered the first self-sustaining chain reaction in November 1942.
https://www.cambridge.org/core/journals/british-journal-for-the-history-of-science/article/what-is-british-nuclear-culture-understanding-uranium-235/6CBDAAEB43FF522EB6418A5363790C0C
6 Boyer, Paul, By the Bomb's Early Light: American Thought and Culture at the Dawn of the Atomic Age, New York: Pantheon Books, 1985. ... 47 For example, Petersen, Stephen, ‘ Explosive propositions: artists react to the Atomic Age ’, Science in Context (2004), 17, ...
https://www.semanticscholar.org/paper/The-Chernobyl-Landscape-and-the-Aesthetics-of-B%C3%BCrkner/38ea70caf57e9339d06da2d3e7c9164997489cff
Abstract This article reflects upon the dilemma of representing nuclear catastrophe in photography. As the vast number of photographs from the restricted zone around Chernobyl show, the intention to produce such an image is always faced with the fact that the actual radioactive threat remains invisible. The article presents the photographic strategies used by art, journalism, and tourism to ...
https://www.history.com/this-day-in-history/fermi-produces-the-first-nuclear-chain-reaction
Dec 01, 2020 · Enrico Fermi, the Italian-born Nobel Prize-winning physicist, directs and controls the first nuclear chain reaction in his laboratory beneath the bleachers of Stagg Field at the University of ...
https://infogalactic.com/info/Nuclear_weapons_in_popular_culture
Stephen Petersen, "Explosive Propositions: Artists React to the Atomic Age" in Science in Context v.14 no.4 (2004), p. 579-609. "Reflections: The Cleve Cartmill Affair" by Robert Silverberg; External links
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