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Artists in Fiction - The New York Times

    https://www.nytimes.com/2016/02/28/books/review/artists-in-fiction.html
    Feb 27, 2016 · Tremendously entertaining and “unapologetic” in its artistic license, “Oil and Marble” will remind an older generation of the pleasures of Irving Stone’s art historical fiction ...Author: Maxwell Carter

The Art of Michael Whelan

    https://www.michaelwhelan.com/
    Dec 15, 2020 · M ichael Whelan is one of the world’s premier painters of imaginative realism. For more than 40 years he has created book and album covers for authors and musicians like Isaac Asimov, Stephen King, Ray Bradbury, Brandon Sanderson, the Jacksons and MeatLoaf.

Frank Frazetta - Wikipedia

    https://en.wikipedia.org/wiki/Frank_Frazetta
    Frank Frazetta (born Frank Frazzetta / frəˈzɛtə /; February 9, 1928 – May 10, 2010) was an American fantasy and science fiction artist, noted for comic books, paperback book covers, paintings, posters, LP record album covers and other media.

The Artists Who Gave 1960s Pulp Fiction Its Killer Look ...

    https://flashbak.com/artists-gave-1960s-pulp-fiction-killer-look-394886/
    Over 40 examples of the art that sold pulp fiction are on show at the Lever Gallery, London. Work by Gianluigi Coppola, Giorgio De Gaspari, Pino Dell’Orco, Renato Fratini – they arrived in pulp via Rome’s Cinecitta film studios (Ben-Hur, Cleopatra, La dolce vita and A Fistful of Dollars) and an invitation to work by Penguin’s Italian-born art director Germano Facetti – Michael ...

Sci-Fi Artists and illustrators list, freelance artists ...

    http://www.scifi-art.info/scifi-artists.html
    Gary Tonge is a UK artist and illustrator that specializes in space and science fiction art and concept design for games. Les Edwards (1949-) is a British illustrator for over 40 years who is known for his book- jacket art. He has worked in many fields and areas but especially in …

Historical Novels About Artists Historical Fiction ...

    http://www.librarything.com/topic/43422
    Apr 26, 2009 · Coupled with this, narrated in alternating chapters, is a parallel visit to Venice of a sculptor and her husband in 1980. Despite the weaknesses in the presentation of the 1980 artist, the fiction about George Eliot in Venice with Cross is well done. (Jim Whistler, meet Marian Cross.)

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