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駕籠真太郎 (@shintarokago1969) is on Instagram

    https://www.instagram.com/shintarokago1969/
    308.2k Followers, 44 Following, 1,524 Posts - See Instagram photos and videos from 駕籠真太郎 (@shintarokago1969)

Paintings and Sculpture Blend: Dreamy World of Artist ...

    https://artificialofficial.com/shintaro-ohata-artist/
    One could say that Japanese painter Shintaro Ohata creates artwork with incredible depth. Those who look at his paintings can reach out and touch the figures portrayed in each one. His special style blends the two-dimensional and three-dimensional worlds by placing sculptures in front of paintings. The figurative sculptures are made from polystyrene.

Shintaro Kago – www.hollow-press.net

    https://hollow-press.net/collections/shintaro-kago
    Other International Artists Hollow Press GAMES JAPANESE artists - Shintaro Kago - Daisuke Ichiba - Tetsunori Tawaraya AMERICAN artists - Mat Brinkman - Jesse Jacobs - Henri Dumas - Al Columbia EUROPEAN artists - Spugna - David Genchi - Danilo Manzi - Luca Brandi - Paolo Bacilieri U.D.W.F.G. - U.D.W.F.G. zine - U.D.W.F.G. Presents: - Other ...

Shintaro OHATA YUKARI ART ユカリアート

    https://www.yukari-art.jp/en/artists/shintaro-ohata
    Shintaro Ohata (born 1975, Hiroshima, Japan) is a painter who is known to create artworks that depict little things in everyday life like scenes of a movie. He captures every kind of light in our daily lives from sunset/sunrise to artificial lights in cities, and records them in his painting.This strong and impeccable light expressions ...

The wonderfully weird world of Shintaro Kago, manga outsider

    https://www.huckmag.com/art-and-culture/manga-artist-interview-shintaro-kago/
    Feb 25, 2019 · Shintaro didn’t go to art school. He believes you can develop a distinct style all on your own – and it didn’t take long for that attitude to pay off. He landed his first gig at Japanese manga magazine Comic Box at 19. In a society known for its conservative social values, however, that wasn’t such an easy route to take. ...

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