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https://www.invaluable.com/artist/freeth-hubert-andrew-htt1x7426i/sold-at-auction-prices/
Lot 194: HUBERT ANDREW FREETH (1913-1986). Portrait of Campbell Dodgson, CBE, FBA, Keeper of Prints and Drawings at the British Museum (1912-32), signed lower right and further inscribed beneath plate, 'For C R Rudolf, from Andrew Freeth 1966', etching, 24.5 x 18 cm, mounted and framed
https://www.npg.org.uk/collections/search/person/mp06979/hubert-andrew-freeth
Dec 31, 2015 · Artist of 10 portraits Hubert Andrew Freeth was a portrait painter and etcher. He studied at the Birmingham College of Art and the British School in Rome. He exhibited regularly at the Royal Academy and the Royal Watercolour Society from 1936.
https://www.campbell-fine-art.com/cat_works.php?art=205
A close friend and exact contemporary of R.T. Cowern, H.A. Freeth began etching at Birmingham Art School in 1931. By the early 1930’s it had become uncommon to issue full formal editions immediately from etching plates, due to the poor state of the commercial etching market.
https://www.royalacademy.org.uk/art-artists/name/peter-freeth-ra
Peter Freeth studied at the Slade School of Fine Art, London from 1956 to 1960. In 1960 he won the Prix de Rome in Engraving, taking him to Rome where he lived for three years, travelling extensively throughout Italy. He was a tutor in etching at the Royal Academy Schools from 1966 to 2007.
https://www.invaluable.com/artist/freeth-peter-tmfqqm0lfu/sold-at-auction-prices/
Description: Peter Freeth (British, b. 1938) A Little Dream of Vittore Carpaccio, edition of 20. Titled, numbered, and signed "...P Freeth" in pencil beneath the image. Titled, numbered, and signed "...P Freeth" in pencil beneath the image.
https://artuk.org/discover/artists/freeth-hubert-andrew-19121986/search/-54216/page/15/view_as/grid
Artists Hubert Andrew Freeth 1912–1986 British, English Summary. Artworks. W. Somerset Maugham Hubert Andrew Freeth (1912–1986) Russell-Cotes Art Gallery & Museum. Watford Dressing Room Hubert Andrew Freeth (1912–1986) National Football Museum.
https://www.digitalartistresidency.org/freeth/
Whilst in residence, Freeth will create a series of workshops as practice, which investigate the media archaeology of the hydrophone through three incarnations: contemporary sound art / bio-acoustics, WW1 early detection listening networks, and Lucien Blake's speculative but never built hydrophone designs.
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