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https://areaofdesign.com/yves-klein/
In 1958, Klein emptied the Galerie Iris Clert, repainted the walls white, and presented the emptiness of the space as a work of art in the groundbreaking conceptual exhibition The Void (La voide). Also that year, he began using nude models as “living paintbrushes,” covering them in paint and instructing them in the pressing and dragging of their bodies across paper and canvas.
http://imaginepeace.com/archives/5304
The idea of exhibiting emptiness is a recurring notion in the history of art over the past fifty or so years, almost to the point of becoming a cliché in the practice of contemporary art. Since the exhibition by Yves Klein – “The spatialization of sensitivity to the pure state” in Paris in 1958, totally empty exhibitions have been the statement of different conceptions of vacuums.
https://www.wengcontemporary.com/artists/yves-klein
Yves Klein´s “ Leap Into the Void ” presents the artist soaring upwards from the parapet of a building like a Left Bank Superman. In 1958, he attracted attention with an “Exhibition of emptiness”, an empty gallery space in Paris painted white, titled The Void.
http://www.visual-arts-cork.com/famous-artists/yves-klein.htm
The Void Exhibition. In 1958 Klein caused a scandal with his iconoclastic 'art' exhibition The Void, held at the Galerie Iris Clert in Paris. An early example of conceptual art, it was an exhibition of emptiness, the gallery was void of all objects. In the manner of great showmanship, the windows were painted over in his signature blue, and guests were served cocktails which caused them to urinate the colour blue for …
https://www.birmingham.ac.uk/Documents/college-artslaw/french/empires-of-emptiness-presentation.pdf
empires of emptiness: the exhibition Empires of Emptiness: Fortresses of the Sahara and the Steppe uses extraordinary photography to show how, despite the seemingly limited ‘value’ of arid spaces and the significant logistical difficulties they posed, the conquest of deserts has
https://www.ludwigmuseum.hu/en/exhibition/judit-reigl-emptiness-and-ecstasy
Painter Judit Reigl was born in 1923 in Kapuvár, and has been living and working in France since 1950. She is one of the rare artists of Hungarian origins who is recognised in the United States, and whose oeuvre uniquely combines the traditions of European and American abstraction. Her paintings figure in the largest and most important public contemporary art collections: the Museum of Modern ...
http://socks-studio.com/2019/11/23/iris-clert-yves-klein-the-void-arman-the-full-up/
Nov 23, 2019 · Between 1958 and 1969 Iris Clert held three more exhibitions of Yves Klein, but the relationship between the artist and the gallerist was severed abruptly after a dispute over intellectual rights. However, in October 1960, Arman, a French artist who was a close friend with Klein, exhibited in the same gallery a show called Le Plein (The Full-Up). This exhibition was a direct contradiction of …
https://www.artlyst.com/news/the-void-and-emptiness-explored-in-new-london-group-exhibition/
Jun 19, 2014 · The Space Where I Am is a new group show at Blain Southern exploring ideas of the void and emptiness from the 1960s to the present day. The exhibition’s title is taken from philosopher Gaston Bachelard’s book The Poetics of Space (1958), which describes the lived experience of space and where he contended “it is better to live in a state of impermanence than in one of finality”.
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