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http://ifacontemporary.org/moved-by-the-grandeur-of-ancient-ruins/
Collection of the artist. 1. I’m referencing Henry Fuseli’s famous drawing The Artist Moved by the Grandeur of Ancient Ruins also known as The Artist in Despair before the Magnitude of Antique Fragments, 1778-80 from the collection of the Kunsthaus Zürich. The parallels between the two images are pursued in the catalogue essay by Nicholas Cullian: “Notes on Painting,” in Twombly and Poussin, …
https://hist1039-16.omeka.fas.harvard.edu/exhibits/show/rise-and-fear/item/63
Henry Fuseli, "The artist moved to despair at the grandeur of antique fragments (drawing), 1778–79, Kunsthaus, Zurich. (Still Image)
http://www.artandpopularculture.com/The_Artist_Moved_by_the_Grandeur_of_Ancient_Ruins
The Artist's Despair Before the Grandeur of Ancient Ruins (German: Der Künstler verzweifelnd vor der Grösse der antiken Trümmer) is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli.
https://www.wga.hu/html_m/f/fuseli/02antiqu.html
The Artist Moved by the Grandeur of Antique Fragments. 1778-79. Red chalk on sepia wash, 415 x 355 mm. Kunsthaus, Zurich. The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be …
https://jennydavidson.blogspot.com/2017/07/the-artist-moved-to-despair.html
Fuseli, "The artist moved to despair before the grandeur of ancient ruins" (1778-79) From Catherine Edwards, Writing Rome: Textual Approaches to the City: “The nature of the artist’s despair remains open. Is it provoked by the impossibility of emulating the greatness of the …
https://www.theguardian.com/artanddesign/2014/mar/07/ruins-exhibition-tate-britain-decay
Mar 07, 2014 · The downward drag of ruins can be a dizzying or terrifying experience. Henry Fuseli's The Artist Overwhelmed by the Grandeur of Antique Ruins, …
https://quizlet.com/62540113/romanticism-fuseli-and-blake-flash-cards/
Fuseli "The Artist Overwhelmed by the Grandeur of Ancient Ruins" 1780. Fuseli "Oedipus Cursing his Son" 1780s. Fuseli "The Oath on the Rutli" 1780. Fuseli "The Nightmare" 1781. Fuseli "Silence" 1800.
https://aestheticapperceptions.files.wordpress.com/2013/01/modern-art-feb-4.docx
Henry Fuseli (Swiss/British), “Artist Moved by the Grandeur of Ancient Ruins,” 1778/80 based on the actual ruins of a statue of the emperor Constantine while still using Classical subject matter in a sense, his focus is instead on how ephemeral the past is and how people hold on to a past even though it’s fragmented and long gone
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