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https://americanart.si.edu/artist/gene-davis-1147
[Gene Davis was] a major figure in 20 th-century American painting whose contribution was invaluable in establishing Washington, D.C., as a center of contemporary art. Davis also played a significant national and international role in the color abstraction movement that first achieved prominence in the 1960 s.Born: Aug 22, 1920
http://www.artnet.com/artists/gene-davis/biography
Gene Davis (American, 1920–1985) was best known for his abstract Color field paintings. He studied liberal arts at the University of Maryland, and, upon graduation, served as a sportswriter and White House correspondent for the Transradio Press during the Roosevelt and Truman administrations.Nationality: American
https://www.artline.com/artists/dealers_artists/davis-gene.php
Gene Davis was a journalist before beginning to paint, and worked for a short time as a White House correspondent. He created his first painting when he was twenty-nine, and spent several years experimenting with abstract expressionism.
https://modernartdealers.com/artists/gene-davis-paintings/
Gene Davis (1920 – 1985) Gene Davis, the artist, was a leader in American art in the 20th Century. He was instrumental in helping establish Washington, D.C. as a contemporary art center. Additionally, he had a significant role nationally and internationally in color abstraction. A movement that was prominent from the 1960s onward. Davis was born in the capital and attended school there.
https://www.artsy.net/artist/gene-davis
Biography. Gene Davis is famous for painting lively compositions of thin, vibrantly colored stripes. Along with Morris Louis and Kenneth Noland, Davis was at the center of the Washington, D.C. contingent of Color Field painters known as the Washington Color School. Fascinated by color relationships, Davis delighted in alternating thin bright vertical stripes to create syncopated patterns reminiscent of jazz …Nationality: American
https://www.artspace.com/artist/gene-davis
Fields of stripes comprised of single colors and chromatic groups unfold and overlap simultaneously in the work of Gene Davis. Like a jazz musician who plays by ear, Davis referred to his painting process as “playing by eye.” Though they appear calculated, Davis did not base his paintings on formulas or theories.
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