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GEORGE OHR (1857 1918) - ASU Art Museum ASU Art Museum

    https://asuartmuseum.asu.edu/sites/default/files/ohr_george_biography.pdf
    artist’s statement – george ohr “My pottery life-work is only one collection as I alone created it – and if there is a greater variety of Pottery on this earth emenating from one creature that is and has more extreams for poor

George Ohr, the Eccentric Artist Who Pioneered American ...

    https://www.artsy.net/article/artsy-editorial-eccentric-mississippi-artist-pioneered-american-ceramics
    Jan 23, 2018 · Ohr was known to cull his own red clay from the nearby Tchoutacabouffa River; he would use a barge to float it home. He created conventional, utilitarian wares, like pots and pitchers, but also chimney flues and sewage pipes. Ohr would continue to create these functional works alongside his experimental art pottery.

George E. Ohr: America’s First Art Potter Mississippi ...

    http://www.mshistorynow.mdah.ms.gov/articles/30/george-e-ohr-americas-first-art-potter
    George E. Ohr (1857-1918) has been called the first art potter in the United States, and many say the finest. Ohr was born in Biloxi, Mississippi, the son of young German immigrants, Johanna Wiedman and George Ohr. Both Alsatians, the Ohrs had moved to Biloxi after a brief stop in New Orleans, their port of entry in 1853. George Ohr Sr. established the first blacksmith shop in Biloxi and later opened the first …

George E. Ohr - Wikipedia

    https://en.wikipedia.org/wiki/George_E._Ohr
    George Edgar Ohr was an American ceramic artist and the self-proclaimed "Mad Potter of Biloxi" in Mississippi. In recognition of his innovative experimentation with modern clay forms from 1880–1910, some consider him a precursor to the American Abstract-Expressionism movement. George Edgar Ohr The "Mad Potter of Biloxi" BornJuly 12, 1857 Biloxi, Mississippi, US DiedApril 7, 1918 New Orleans, …Born: July 12, 1857, Biloxi, Mississippi, US

The Legacy of George Ohr: The Mad Potter of Biloxi

    https://www.shstoneware.com/blog-the-legacy-of-george-ohr-the-mad-potter-of-biloxi/
    Known as the “Mad Potter of Biloxi,” George Ohr inspires Sunset Hill Stoneware’s artisans in ways few would expect, from the uniqueness of his work to his eccentric persona. While he self-styled his madness, Ohr was an incredible artist who inspired awe for more than 100 years. Today, Sunset Hill Stoneware honors George Ohr, the Mad Potter of Biloxi, for his influence on pottery as art; and the much-needed …

George E. Ohr - The Magazine Antiques

    https://www.themagazineantiques.com/article/george-e-ohr/
    Mar 02, 2015 · Gorge Ohr is a great artist. 1 Ohr was an unlikely candidate for leadership of the ceramic avant-garde. Unlike most artists of his day, who came from reasonably genteel and middle-class backgrounds, Ohr was the son of a Biloxi blacksmith. He received little formal education and …

The Mad Potter of Biloxi Arts & Culture Smithsonian ...

    https://www.smithsonianmag.com/arts-culture/the-mad-potter-of-biloxi-106065115/
    Back in 1900, when his pots were barely selling at all, exasperated exhibition organizers would ask Ohr to put a value on his works. “Worth their weight in gold,” he would answer. In ...

Personal statement – Stephen Horn Ceramics

    http://stephenhornceramics.com/personal-statement/
    Personal statement. In 1974, one of my professors at Cal State Fullerton required those of us in his graduate seminar to write a personal statement about their artistic philosophy. I did not keep a copy of mine, and all that I can remember is my last line, a quotation from Dante: “Do as the Divine: create.”. At the time I was not conscious of what I (or Dante) meant by that, but it was an urge that I deeply felt.

Southern Witness: John Barnes - Ohr-O'Keefe Museum of Art

    https://georgeohr.org/exhibition/southern-witness-john-barnes/
    Sep 07, 2019 · Artist Statement. I see the spaces between points as active elements to be exploited within my creative process. I work within a language of dimensionality, modularity, directional forces, and momentary interactions with history, and the mainstream western news media. I use the material of wood to launch an investigation into the spectrum of the abstract and following all of it’s possibilities.

Anker West – artist and designer

    http://ankerwest.com/
    Artist Statement. Much of my work in Newark uses the city as its source. I am also a preservationist and architectural designer. I record Newark matters and celebrities in ink paintings, public art proposals, playground designs, and porcelain vases.

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