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https://www.wikiart.org/en/georges-de-la-tour
Georges de La Tour was born in the town of Vic-sur-Seille in the Diocese of Metz, which was technically part of the Holy Roman Empire, but had been ruled by France since 1552. Baptism documentation revealed that he was the son of Jean de La Tour, a baker, and Sybille de La Tour, née Molian.Birth place: Vic-sur-Seille, France
https://www.britannica.com/biography/Georges-de-La-Tour
Jan 26, 2021 · Georges de La Tour, (born March 19, 1593, Vic-sur-Seille, Lorraine, France—died Jan. 30, 1652, Lunéville), painter, mostly of candlelit subjects, who was well known in his own time but then forgotten until well into the 20th century, when the identification of many formerly misattributed works established his modern reputation as a giant of French painting.
https://www.nga.gov/collection/artist-info.1461.html
La Tour, Georges du Mesnil de , La Tour, Claude du Menil de , Latour, Georges de Biography ... The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. The Sculpture Garden is now open from 11:00 a.m. to 4:00 p.m. daily. The West and East Buildings remain closed at ...
https://www.artsy.net/artist/georges-de-la-tour
Though little is known of Georges de la Tour’s personal life, his fame was widespread because of his ability to paint atmospheric light and moving spiritual scenes. While his early works were painted in a Mannerist style, de la Tour would later fall heavily under the influence of Caravaggio and his use of chiaroscuro. At the peak of his ...Nationality: French
https://www.metmuseum.org/art/collection/search/436838
Georges de La Tour’s Fortune Teller is one of the painter’s early masterpieces. It has been variously dated between 1620 and 1639, and it is most likely from the 1630s. The canvas is signed at top right: G. de La Tour Fecit Luneuilla Lothar:, identifying La Tour …
https://www.metmuseum.org/art/collection/search/436839
Bulletin de la Societé de l'Histoire de l'Art Français (1961–62), pp. 39–44, ill., proposes attributing the picture to Georges de La Tour and believes it is a late work; despite its seemingly modern design, views the ornate frame of the mirror as a product of La Tour's imagination, recalling engravings by Jaques Callot of around 1630 and ...
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