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https://www.the-art-world.com/history/romanticism2.htm
Landscape painting in Germany, however, takes on a totally different form from that practised at the time by Turner in England and by Gericault in France. Although there was in Turner and the German Romantics a search for deeper meanings within the appearances of nature, their methods of conveying such intentions were fundamentally different.
http://blogs.bu.edu/guidedhistory/moderneurope/sarah-harrison/
John Daverio discusses key German composers of the Romantic era including Brahms, Weber, Schumann, and Strauss and German Romantic’s literary influence on these composers. Writers such as Jean Paul, Goethe, E.T.A. Hoffman, and Schlegel influenced each of these composers alike and many composed pieces using their texts.
https://artblart.com/tag/german-romanticism/
Artists: Volker Döhne, Andreas Gursky, Candida Höfer, Axel Hütte, Tata Ronkholz, Thomas Ruff, Jörg Sasse, Thomas Struth and Petra Wunderlich. Bernd Becher (1931-2007) and Hilla Becher (1934-2015) Gutehoffnungshütte, Oberhausen, Ruhrgebiet. 1963.
https://www.jstor.org/stable/j.ctt1c99bkt
One of the most remarkable traits of the early German romantics was their belief in the metaphysical stature of art. Almost all the young romantics—Wackenroder, Schelling, Schleiermacher, Novalis, the young Hegel, Hölderlin, and the Schlegel brothers—made aesthetic experience into the criterion, instrument, and medium for awareness of ultimate reality or the absolute.
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