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https://www.britannica.com/biography/Giotto-di-Bondone
Italian painter. Professor of the History of Art, Birkbeck College, University of London, 1967–80. Author of Architecture of the Italian Renaissance; coauthor of A Dictionary of Art and Artists. Giotto, in full Giotto di Bondone, (born 1266/67 or 1276, Vespignano, near Florence [Italy]—died January 8, 1337, Florence), the most important Italian painter of the 14th century, whose works point to the innovations of the …
https://www.theartstory.org/artist/giotto/
Giotto is one of the most important artists in the development of Western art. Pre-empting by a century many of the preoccupations and concerns of the Italian High Renaissance, his paintings ushered in a new era in painting that brought together religious antiquity and the developing idea of Renaissance Humanism. Indeed, his influence on European art was such that many historians believe it was not …Nationality: Italian
https://www.giottodibondone.org/biography.html
In his Lives of the Artists, Giorgio Vasari relates that Giotto was a shepherd boy, a merry and intelligent child who was loved by all who knew him. He was discovered by the great Florentine painter Cimabue, drawing pictures of his sheep on a rock.
https://www.theartstory.org/artist/giotto/artworks/
Jun 03, 2019 · Giotto's depiction of the Virgin and Child as a human mother and child, as well as divine beings, was an important influence for later Renaissance artists, especially figures such as Filippo Lippi, tutor to Botticelli, whose images of the Madonna and Child develop the human element of the scene, eventually reducing the figures' gold halos to simple symbolic rings.
https://www.giottodibondone.org/
Giotto di Bondone (c. 1267–January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance.
https://www.britannica.com/biography/Giotto-di-Bondone/Roman-period
Giotto is also known to have painted some frescoes in the choir of old St. Peter’s, but these are lost. These Roman works also pose problems in attribution and criticism. The attribution of the Navicella is certain; it is known that Cardinal Stefaneschi commissioned Giotto to do it. The mosaic, however, was almost entirely remade in the 17th century except for two fragmentary heads of angels, so that old …
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