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http://www.artnet.com/artists/gustave-courbet/
Gustave Courbet was a French artist and founder of the Realist movement in 19th-century France. His unidealized depictions of everyday life often provoked controversy, especially his The Stone Breakers (1850), a scene of manual laborers, and The Origin of the World (1866), a closely cropped rendering of a woman’s genitals.Nationality: French
https://www.theartstory.org/artist/courbet-gustave/
Gustave Courbet was central to the emergence of Realism in the mid-19 th century. Rejecting the classical and theatrical styles of the French Academy, his art insisted on the physical reality of the objects he observed - even if that reality was plain and blemished. A committed Republican, he also saw his Realism as a means to champion the peasants and country folk from his home town.Nationality: French
https://www.wikiart.org/en/gustave-courbet/
Jean Désiré Gustave Courbet (French: [ɡystav kuʁbɛ]; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of …Born: Jun 10, 1819
https://artvee.com/artist/gustave-courbet/
Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists.
https://totallyhistory.com/gustave-courbet/
6 rows · French painter Gustave Courbet (1819-1877) was influential in leading the Realist movement of ...
https://www.thecollector.com/gustave-courbet-father-of-realism/
Jan 05, 2021 · Gustave Courbet was the founding father of the politically-motivated Realism movement, which revolutionized European painting. He paved the way for …Author: John Sewell
https://artvee.com/artist/gustave-courbet/page/5/
Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists.
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