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https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
The Artist as Ethnographer? Hal Foster My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in April 1934. There, under the influence of Berthold Brecht and Russian revolutionary
http://csmt.uchicago.edu/annotations/fosterartist.htm
Foster, "The Artist as Ethnographer" annotation by Brandon Hopkins. Brandon Hopkins. [email protected]. University of Chicago. In The Return of the Real, Hal Foster investigates the goals and practices neo-avant-garde art movements and their relation to modernist movements such as dada, surrealism, and constructivism. Chapter 6 of his book, “The Artist as Ethnographer,” deals …
https://infiltratemathematics.wordpress.com/2017/10/06/artist-as-ethnographer/
Oct 06, 2017 · Hal Foster wrote something important about the artist as ethnographer. the subject is othered, and the researcher still has the power; the ethnographer envies the artist’s reflexivity, while the artist envies the ethnographer’s access to an ‘other’ that has various properties attributed to it
https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
The Artist as Ethnographer? Hal F0.r.k~ My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in Apd 19%. There, under the influence of Berthold Brecht and Russian revolutionary culture, Benjamin (1978) called on the artist on the left "to side with the prole- tariat."'
https://ivypanda.com/essays/decoloniality-in-art-and-artist-as-ethnographer/
In one of his past works, Araeen explained that an artist is a thinker who has to represent a kind of racial and cultural other who cannot be “defined or recognized by what [s/he] does in art, one’s position as an artist is predetermined by these differences”. 15 Such theoretical explanation of racism and its connection to art seems to be a good contribution to the discussions of cultural …
https://tnedrandolph.blogspot.com/2011/04/response-to-hal-fosters-artist-as.html
Apr 13, 2011 · One of our readings this semester was by Hal Foster whose 1996 essay, "Artist as Ethnographer" criticized the practice of artists acting as quasi-anthropologists. He appears particularly concerned with site-specific art that acts in critique of its surroundings -- and often fails to truly digest its surroundings before forming its critique.
https://www.ibraaz.org/essays/11
Jun 01, 2011 · For those artists who have appropriated ethnography within their practices, Foster's critique is three-fold. Firstly, he suggests that these artists presume that 'the site of artistic transformation is the site of political transformation', which presumes that the site of political transformation is 'elsewhere' among the 'cultural other, the oppressed postcolonial, subaltern, or subcultural'. [7]
https://mitpress.mit.edu/books/return-real
Summary In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present.
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