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Foster, "The Artist as Ethnographer" annotation by Brandon ...

    http://csmt.uchicago.edu/annotations/fosterartist.htm
    Foster, "The Artist as Ethnographer" annotation by Brandon Hopkins. Brandon Hopkins. [email protected]. University of Chicago. In The Return of the Real, Hal Foster investigates the goals and practices neo-avant-garde art movements and their relation to modernist movements such as dada, surrealism, and constructivism. Chapter 6 of his book, “The Artist as Ethnographer,” deals …

The Return of the Real The MIT Press

    https://mitpress.mit.edu/books/return-real
    In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present.

The Artist as Ethnographer? - Monoskop

    https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
    The Artist as Ethnographer? Hal Foster My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in April 1934. There, under the influence of Berthold Brecht and Russian revolutionary

The Return of the Real: The Avant-garde at the End of the ...

    https://books.google.com/books/about/The_Return_of_the_Real.html?id=Yl9oCT0fTVQC
    In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that...4.5/5(5)

The return of the real : the avant-garde at the end of the ...

    https://searchworks.stanford.edu/view/3353468
    Summary. After the dominant models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Hal Foster argues that in the 1990s, we are now witness to a "return to the real" - to art and theory that seek to be grounded in bodies and sites, identities and communities.

Hal Foster The MIT Press

    https://mitpress.mit.edu/contributors/hal-foster
    In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present.

The Artist as Ethnographer? - WordPress.com

    https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
    304 HAL FOSTER THE ARTIST AS ETHNOGRAPHER?305 medm absorb everything in pure malevolence (indeed we know they cannot). Rather my concern is with the shhral &ch of the realist assumption in political, here quasi-anthropologicd, art, in particular with its siting of political truth in a projected alrerity. I mentioned the problem of automatic coding of artists I&-A+vis

The return of the real: the avant-garde at the end of the ...

    https://catalogue.sunderland.ac.uk/items/29822
    Foster, Hal, author. After the dominant models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Hal Foster argues that in the 1990s, we are now witness to a "return to the real" - to art and theory that seek to be grounded in bodies and sites, identities and communities.;Foster's concise analysis of art practices over the past three decades traces important models at work in art and theory, with …

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