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https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
The Artist as Ethnographer? Hal Foster My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in April 1934. There, under the influence of Berthold Brecht and Russian revolutionary
http://csmt.uchicago.edu/annotations/fosterartist.htm
Foster, "The Artist as Ethnographer" annotation by Brandon Hopkins. Brandon Hopkins. [email protected]. University of Chicago. In The Return of the Real, Hal Foster investigates the goals and practices neo-avant-garde art movements and their relation to modernist movements such as dada, surrealism, and constructivism. Chapter 6 of his book, “The Artist as Ethnographer,” deals …
https://infiltratemathematics.wordpress.com/2017/10/06/artist-as-ethnographer/
Oct 06, 2017 · Hal Foster wrote something important about the artist as ethnographer. the subject is othered, and the researcher still has the power; the ethnographer envies the artist’s reflexivity, while the artist envies the ethnographer’s access to an ‘other’ that has various properties attributed to it
https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
The Artist as Ethnographer? Hal F0.r.k~ My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in Apd 19%. There, under the influence of Berthold Brecht and Russian revolutionary culture, Benjamin (1978) called on the artist on the left "to side with the prole- tariat."'
http://www.corner-college.com/udb/cpro2ZgGKfArtist_As_Ethnographer.pdf
ethnographer. T h e object of contestation remains, at least in part, the bourgeois institution of autonomous art, its exclusionary definitions of art, audience, iden- tity. But the subject of association has changed: it is now the cu ltu ral an d /o r eth- nic other i n w hose n a m e the artist often stru ggles. A nd yet, despite this sh ift ...
https://ivypanda.com/essays/decoloniality-in-art-and-artist-as-ethnographer/
The majority of Foster’s arguments are based on the necessity to compare the political and cultural backgrounds of artists and clarify the reasons for why the idea of the aestheticisation of fascism was transformed in the necessity to capitalise culture so that an artist has to …
https://tnedrandolph.blogspot.com/2011/04/response-to-hal-fosters-artist-as.html
Apr 13, 2011 · One of our readings this semester was by Hal Foster whose 1996 essay, "Artist as Ethnographer" criticized the practice of artists acting as quasi-anthropologists. He appears particularly concerned with site-specific art that acts in critique of its surroundings -- and often fails to truly digest its surroundings before forming its critique.
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