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https://heatherstraka.com/resume/
HEATHER STRAKA Born 1972 New Zealand EDUCATION 2000 MFA, Ilam School of Fine Art, Canterbury University 1994 BFA, Elam School of Fine Arts, Auckland University AWARDS & RESIDENCIES 2012 William Hodges Fellowship, Invercargill, NZ 2009 Wallace Arts Trust / Altes Spital Residency, Solothurn, Switzerland 2008 Frances Hodgkins Fellowship, Otago University, Dunedin, NZ …
https://trishclark.co.nz/artists/straka-heather/
Dunedin Public Art Gallery, New Zealand. Somebodies Eyes 1, 2015. Oil on cotton on board. 860 x 710 mm (framed) Cargo Girl, 2011. Oil on cotton board. 800 x 1000 mm ... Art News New Zealand, article by Heather Straka. Spring 2009. Download PDF. The Sleeping Room. Exhibition Catalogue, Hocken Gallery, Dunedin, New Zealand. April – May 2009 ...
https://thecentral.co.nz/artists/44-heather-straka/overview/
Born in Auckland, Straka studied sculpture at Elam Art School but has largely made paintings since graduating. She looks from a different point of view. Her second major body of paintings were of old fashioned mens urinals, their cracked creamy porcelain surfaces evocatively stained, damaged even.
https://findnzartists.org.nz/artist/14373/heather-straka
Straka, Heather; Biographical details: Birth date 1972 Birth place Auckland Birth country New Zealand. Artist files held at: Auckland Art Gallery Toi o Tāmaki ... (and many New Zealand) artists, designers, craftspeople and curators. daao.org.au. Research tips Our own ideas on where to look next.
https://www.pinterest.com/pin/318840848615225190/
Heather Straka called 'Love'. She believes it's apparent that she's not 'a taught painter.' - Has merticulous surfaces, realistic, illusion. With her brushwork aims to leave no visible marks on the canvas : 'I'm interested in creating an image - it's not about the paint.'
https://www.artnews.co.nz/profile-spring-2020-2/
The dioramas Straka saw in the Natural History Museum in Bern during her tenure as the 2009 Wallace Arts Trust / Altes Spital artist in residence in Switzerland were a major source of inspiration. She was delighted by the artifice of the shallow scenes, with their flat, painted backdrops, combined with the simulated poses of the taxidermy animals.
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