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https://useum.org/Renaissance/Perspective
Although before Renaissance artists such as Giotto tried to use perspective in their paintings, it was only with the Italian architect Filippo Brunelleschi, who demonstrated its principles, and the writings of Leon Battista Alberti, who wrote about the perspective and presented a perspective construction in his De Pictura in 1435, when perspective was formalized as an artistic technique.
http://www.webexhibits.org/sciartperspective/raphaelperspective1.html
In the rest of the century following Masolino’s breakthrough, almost all Renaissance artists turned to the use of perspective to enhance their compositions, notably Masaccio, Mantegna, Fra Angelico and Leonardo. The Renaissance use of perspective reached its apogee at around 1500, as represented by the incandescent work of Raphael.
http://www.webexhibits.org/sciartperspective/perspective1.html
epth representation, in both its geometric and its more generic forms, has often served as an impetus in artistic development through the millennia. The first historical mentions of art, by Plato and contemporaries in the 5th century BC, were provoked by the dramatic use of perspective in the scenery for the plays of Aeschylus and Sophocles.
https://www.khanacademy.org/humanities/renaissance-reformation/early-renaissance1/beginners-renaissance-florence/a/early-applications-of-linear-perspective
Artists in the early 15th century had learned to portray the human form with faithful accuracy through careful observation and anatomical dissection, and in 1420 Brunelleschi's experiment with perspective provided a correspondingly accurate representation of physical space.
https://study.com/academy/lesson/linear-perspective-in-renaissance-art-definition-example-works-quiz.html
Apr 08, 2016 · This is a complicated task, but Renaissance artists used and perfected linear perspective as a means of depicting three-dimensional depth in art. …
https://www.theartstory.org/movement/early-renaissance/
Summary of Early Renaissance. At the beginning of the 15 th century, Italy experienced a cultural rebirth, a renaissance that would massively affect all sectors of society. Turning away from the preceding Gothic and Romanesque periods' iconography, Florentine artists spurred a rejuvenation of the glories of classical art in line with a more humanistic and individualistic emerging contemporary era.
https://courses.lumenlearning.com/zeliart102/chapter/art-and-science-in-the-renaissance/
The humanist artists of the Italian renaissance had performed their own dissections to promote the study of anatomy, they had invented mathematical perspective to make possible the accurate, realistic portrayal of physical space. The literary humanists had managed to revive all sorts of classics, in particular the works of Plato.
http://www.essentialvermeer.com/technique/perspective/history.html
Until Dutch traders began commercing in Western artworks in the seventeenth century, Oriental painters had not discovered, and therefore made no use of, linear perspective, because, as Erwin Panofsky 1 would point out, perspective is not only a direct transcription of the visual reality but a form of representation that originates within broader cultural needs.
https://foundinantiquity.com/2013/08/09/pompeiian-fresco-painters-used-perspective-better-than-renaissance-artists/
Aug 09, 2013 · Linear perspective is the type which was systematized in the Renaissance. It follows several strict rules. One of the important ones is that there can only be one horizon line, and all vanishing points must lie on the same single horizon line. The above sketch shows an oblong shape rendered in two-point linear perspective.
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