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John Constable British artist Britannica

    https://www.britannica.com/biography/John-Constable
    Constable was meant to enter his father’s business, but, after meeting the famous connoisseur Sir George Beaumont in 1795, and then a circle of antiquarians and connoisseurs at Edmonton in 1796, he was inspired to pursue art. In February 1799 he made himself known to the influential academician Joseph Farington, and in March he entered the prestigious Royal Academy schools, with the grudging …

John Constable - London Britannica

    https://www.britannica.com/biography/John-Constable/London
    By 1817 Constable was an established Londoner, and, with the birth of his son John that December, he became a father. With a family to support, professional recognition became essential. In order to achieve this, he began to paint on a large scale, and the 1.9-metre (6.2-foot) Stour scene The White Horse, which he showed at the 1819 Royal Academy exhibit, attracted public attention, generated critical …

John Constable Paintings, Bio, Ideas TheArtStory

    https://www.theartstory.org/artist/constable-john/
    Summary of John Constable. Along with J. M. W. Turner, Constable revolutionized landscape painting of the 19 th century and his paintings had a profound and far-reaching effect on European art, particularly in France. Constable moved away from the highly idealized landscapes that were the expected norm of the period and instead favored realistic depictions of the natural world created through ...Nationality: British

John Constable Artist Royal Academy of Arts

    https://www.royalacademy.org.uk/art-artists/name/john-constable-ra
    In 1819 Constable began work on a series of six-foot canvases, with the aim of showcasing his skill as a landscape painter. These included The Leaping Horse and The Hay Wain; the latter failed to find a buyer when shown at the 1821 Summer Exhibition, but received a …

John Constable Style and Technique artble.com

    https://www.artble.com/artists/john_constable/more_information/style_and_technique
    Constable had to create new techniques to give the realistic appearance of flowing water and wind blowing through trees. By layering reds with the greens of his trees, the artist was able to create this depth in a way which had never been done before.

V&A · John Constable's Sketches

    https://www.vam.ac.uk/articles/john-constables-sketches
    Like many artists practising at the time, Constable used sketches as source material for fully worked-up compositions. He did not find the production of finished paintings easy, which probably contributed to his late recognition by the art establishment. Sketchbook (detail), John Constable, 1814, Britain.

6 Facts About British Painter, John Constable

    https://www.thecollector.com/6-interesting-facts-about-british-painter-john-constable/
    Sep 05, 2019 · Around 1792, Constable entered the family corn business but was sketching constantly in the meantime. In 1795, he was introduced to Sir George Beaumont, the famous connoisseur. The meeting inspired him to pursue art above all else. Constable sketch of Coleorton Hall during a visit with its owner, Sir George Beaumont.Author: Kaylee Randall

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