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Institutional Art Fine Art America

    https://fineartamerica.com/art/institutional
    Shop for institutional art from the world's greatest living artists. All institutional artwork ships within 48 hours and includes a 30-day money-back guarantee. Choose your favorite institutional designs and purchase them as wall art, home decor, phone cases, tote bags, and more!

Theory of art - Wikipedia

    https://en.wikipedia.org/wiki/Institutional_art
    The institutional theory of art is a theory about the nature of art that holds that an object can only become art in the context of the institution known as "the artworld ".

Institutional Theory of Art - Oxford Reference

    https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100005387
    Feb 28, 2021 · The view championed by George Dickie in 1974, following on work by Arthur Danto, that art institutions such as museums and galleries, and specific agents working within them, have the power to dictate what is art and what is not. There is no property of being a work of art other than being deemed to be such by authorized members of the art world.

Institutional Critique - Important Art TheArtStory

    https://www.theartstory.org/movement/institutional-critique/artworks/
    A leading member of what has been called the 'second generation' of Institutional Critique, Fraser innovatively employed performance throughout her practice. She cofounded feminist performance group The V-Girls in 1986, the artist initiative collection Parasite in …

The Institutional Theory of Art Art History Unstuffed

    https://arthistoryunstuffed.com/the-institutional-theory-of-art/
    Jul 20, 2012 · So, art is made by the theory of art which is in turn made by at the art world. Art is what the art world accepts. The concept of the “artworld”—one word—was taken up later by the aesthetician George Dickie who suggested a more complex theory of art that rested upon the institution, which was known as the “institutional theory of art.”

International Artist Magazine

    https://www.internationalartist.com/
    The magazine for artists by artists from around the world. Click the magazine cover above. to see the artists in this issue. 148 pages in every bi-monthly issue. More like a book than a magazine. More articles for your money. High quality, full color glossy magazine in perfect binding. Launched in 1998.

Institutional Critique Overview TheArtStory

    https://www.theartstory.org/movement/institutional-critique/
    Apr 18, 2015 · Reflecting both a general term used for artists critiquing the way that galleries, museums and other institutions are run, and a specific group of Conceptual artists working between the 1960s and 1980s, Institutional Critique is a movement that makes the unacknowledged mechanics of art world funding, curation and acquisition explicit, in the hope that it can be changed.

Art and the Institution - Artsy

    https://www.artsy.net/article/theartgenomeproject-art-and-the-institution
    Feb 12, 2014 · The possibilities for Institutional Critique are extensive and continue to be so as the art world evolves. Louise Lawler’s photographs give us a glimpse of the life of art objects outside their public display settings, for instance, in the homes of private collectors, or in Bulbs (2005-06) a deinstalled Felix Gonzalez-Torres sculpture.

Institutional Critique - Wikipedia

    https://en.wikipedia.org/wiki/Institutional_Critique
    In art, Institutional Critique is the systematic inquiry into the workings of art institutions, such as galleries and museums, and is most associated with the work of artists like Michael Asher, Marcel Broodthaers, Daniel Buren, Andrea Fraser, John Knight (artist), Adrian Piper, Fred Wilson, and Hans Haacke and the scholarship of Alexander Alberro, Benjamin H. D. Buchloh, Birgit Pelzer, and Anne Rorimer.

Institutional critique MoMA

    https://www.moma.org/collection/terms/169
    Institutional critique A form of conceptual art, which emerged in the late 1960s, centered on the critique of museums, galleries, private collections, and other art institutions. Artists working in this vein use a range of strategies to expose the ideologies and power structures underlying the circulation, display, and discussion of art.

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