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https://www.portrait.gov.au/portraits/2011.119/study-for-portrait-of-the-artist-as-an-evolving
James Gleeson. pencil, charcoal and paper collage on paper ( sheet: 38.0 cm x 51.0 cm ) James Gleeson AO was Australia's best-known surrealist artist, and from the late 1930s onwards he was a tireless supporter of Australian modern art. Deeply interested in psychology, he wrote poetry and many essays and several books on Australian art. His own art has been the subject of several major …
https://www.artgallery.nsw.gov.au/prizes/archibald/1994/16052/
James Gleeson Title Portrait of the artist as an evolving landscape Medium oil on canvas Dimensions 158.5 x 211 cm. Art Set. Art Gallery of New South Wales. We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture.
https://www.enhancetv.com.au/video/james-gleeson-the-artist-as-evolving-landscape/35024
James Gleeson is Australia's foremost surrealist painter at 88 years of age, he is also an established poet, art critic and historian. In this program we explore his many influences and the effect of war on his works. ... James Gleeson: The Artist As Evolving Landscape Save to playlist. This feature is only available for subscribers.
https://www.artprice.com/artist/60590/james-timothy-gleeson/painting/4568940/portrait-of-the-artist-as-an-evolving-landscape
Portrait of the Artist as an evolving Landscape, 1993, by James Timothy GLEESON (1915-2008)
https://www.muddycolors.com/2017/12/artist-inspiration-james-gleeson/
Saturday, December 16th, 2017. Self Portrait As An Evolving Landscape, oil on linen. Metamorphosis has always been, for me, one of the basic facts of life. Everything takes on a form, changes, falls apart and reforms in new organizations as part of an endless cycle. -James Gleeson. A Memory Bank, oil on linen.
https://www.portrait.gov.au/people/james-gleeson-1915
James Gleeson. James Gleeson AO was Australia's best-known surrealist artist, and from the late 1930s onwards he was a tireless supporter of Australian modern art. Deeply interested in psychology, he wrote poetry and many essays and several books on Australian art. His own art has been the subject of several major exhibitions. As a young boy he lived at Gosford on the New South Wales Central Coast and much of his art …
https://www.artgallery.nsw.gov.au/collection/artists/gleeson-james/
Referencing Jean-François Millet’s 1850 work of the same title, Gleeson’s The sower, 1944 presents a chilling twentieth-century vision of a ravaged rather than fertile landscape dominated by a conglomerate central figure, the dislocated limbs of which express humanity out of gear. In 1993, Gleeson reflected on the painting’s genesis as a reaction to the traumas of intergenerational warfare:
https://muddycolors.blogspot.com/2017/12/artist-inspiration-james-gleeson.html
Gleeson was an artist most committed to the Surrealist movement in Australia – born in November 1915 and died in October 2008 – who painted all the way up to his latest years at …
https://www.menziesartbrands.com/blog-post/22-james-gleeson
The mid-Nineties were momentous years for James Gleeson (AM 1975; AO 1990; Hon. D. Letters, Macquarie University 1985). The present painting, his large and magisterial Landscape with Self-Portrait in Parenthesis of 1994, belongs to this significant period. It was a period during which three important things occurred: Professor Di Yerbury, the then Vice Chancellor of Macquarie University, announced the establishment of the James Gleeson …
https://www.smh.com.au/entertainment/art-and-design/collectors-a-portrait-of-philanthropy-20040617-gdj4zv.html
Jun 17, 2004 · Gleeson's stunning self-portrait, Portrait of the Artist as an Evolving Landscape, and his biblically inspired The Sign. Two rare surrealist ceramic sculptures by Boyd. Works by Max Ebert and the South Australian Dusan Marek. Plus a dual portrait of themselves by Salvatore Zofrea, on loan from the Art Gallery of New England.
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