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https://www.sahistory.org.za/people/jane-alexander
Jane Alexander was born in Johannesburg in 1959. She attended the University of the Witwatersrand where she obtained a Bachelor and a Masters of Arts in Fine Arts in 1982 and 1988. While she was doing her Masters, Alexander produced what became her early signature work of art, Butcher Boys. This is now among the most popular contemporary pieces in the collection of the South African National Gallery in …
https://www.the-artists.org/Jane-Alexander/
Jane Alexander is a sculptor whose works comment on current socio political issues in South Africa. Using direct modelling techniques and working in plaster, she produces life size figures, which gain presence from their human scale, and small figures set in multimedia installations.
http://www.artthrob.co.za/Artists/Jane-Alexander.aspx
Jane Alexander’s hybrid mutants speak to the porous borders between humans and other forms of animal life. Alexander acts as a surveyor mapping the forces, interests, and passions at play in human behavior. Her sculptures, installations, and photomontages are firmly rooted in her South African …
https://www.theartist.me/artwork/the-butcher-boys/
The Butcher Boys is a sculpture produced in 1986 by South African artist Jane Alexander. The three figures depict the human monsters with black eyes, powdery skin due to plaster and were sitting on a bench with no mouth directly conveying to the State of Emergency implications. These three beasts were free from their outside senses.
https://camh.org/wp-content/uploads/Jane-Alexander_CAMH_PressRelease.pdf
ABOUT THE ARTIST Jane Alexander, born in Johannesburg, South Africa, works primarily in sculpture and photomontage and is widely known for her sculpture Butcher Boys (1985-86), which is in the collection of the South African National Gallery. Alexander’s solo exhibitions include Jane Alexander: On Being Human (2009) at
https://www.tandfonline.com/doi/pdf/10.1080/09528829608576632
exhibition of work by a South African artist, Jane Alexander, whose images assault one with the 'silence' which they represent, an oppressive silence displayed in an evenly lit and undisrupted space. The space is that of the South African National Gallery, the< last of seven venues to display the work of this 1995 winner of the Standard Bank
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