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https://anitalouiseart.com/how-do-you-identify-a-japanese-artists-signature-on-woodblock-prints/
Oct 08, 2020 · One of the easiest ways to identify the Japanese woodblock artist’s signature is to look for the artist’s chop or seal. The artist’s chop or seal is usually red in color, and the signature is usually written vertically above the chop or seal. Find the artist …
http://www.ukiyo-e.se/signatur.html
166 rows · The signature on a Japanese ukiyo-e print is not handwritten, and its sole purpose is to …
https://www.ukiyoesig.net/about.html
This reference guide documents examples of artist signatures on Japanese woodblock prints from approximately 1680 to 1912. The images are drawn chiefly from the …
https://www.roningallery.com/collections/ukiyo-e-japanese-woodblock-prints
Explore the largest collection of 17th-19th century original Japanese woodblock prints for sale in the United States. Ukiyo-e, or “pictures of the floating world,” captured the exciting urban popular culture of the Edo period (1603-1868), promoting its beauty, fashions and heroes.
https://www.ehow.com/how_7465267_identify-signature-japanese-print.html
Identifying the signature on a Japanese print can be difficult as Japanese prints contain many marks. The signature can contain a series of figures. However the signature may not refer strictly to the artist, but the artist's studio. There are special symbols for students, indications of …
https://www.viewingjapaneseprints.net/texts/topics_faq/faq_inscript_seals.html
Artists' signatures Artists usually signed their prints with their artist or studio names (called gô or geimei ; the latter can also can refer to the stage name of an actor). On some rare occasions print artists used a kakihan, which was a 'writing seal' or distinctive character, mark, design, or flourish that was used as a substitute for an ...
https://en.wikipedia.org/wiki/The_Great_Wave_off_Kanagawa
In Japanese woodblock printing the artist's final preparatory sketch (shita-e) is taken to a horishi, or block carver, who glues the thin washi paper to a block of wood, usually cherry, and then carefully carves it away to form a relief of the lines of the image. In the process, the drawing is lost.
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