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https://thedocumentrecordsstore.com/famous-jazz-musicians-of-the-1930s/
Jun 15, 2020 · In the 1930s we move from the “Jazz Age” to the “Swing Era”. New York is now the Jazz Capital of the World, although other cities, such as Chicago and Kansas City, enjoy a thriving Jazz scene. With Hollywood firmly established, many of the big …
https://www.liveabout.com/jazz-by-decade-1930-1940-2039541
Mar 04, 2019 · All of a sudden, thanks to musicians such as Coleman Hawkins, Lester Young, and Ben Webster, the tenor saxophone became the instrument most strongly identified with jazz. In Kansas City, pianist Count Basie began building an all-star big …
https://www.thefinertimes.com/jazz-grows-up-in-the-1930s
Nov 22, 2009 · But other jazz musicians in the 1930s who were not so well known or who were performing in other parts of the country, life was difficult. They had a word for what it was for a jazz musician to barely scrape out enough to live on in the 1930s. They called it “scuffling”.
https://www.britannica.com/topic/list-of-jazz-musicians-2030466
Swing, in music, both the rhythmic impetus of jazz music and a specific jazz idiom prominent between about 1935 and the mid-1940s—years sometimes called the swing era.Swing music has a compelling momentum that results from musicians’ attacks and accenting in relation to fixed beats. Swing rhythms defy any narrower…
https://www.louisianatravel.com/music/articles/famous-louisiana-jazz-musician-biographies
The New Orleans native’s career includes a seven-piece jazz band in the 1920s, a swing band in the 1930s, a big band in the 1940s, a lounge act in the 1950s and a pop-rock band in the 1960s. He has a star on the Hollywood Walk of Fame, and his music has been covered by artists ranging from Brian Setzer to David Lee Roth.
https://www.allmusic.com/genre/jazz-ma0000002674/artists
Find Famous Jazz Artists and Musicians on AllMusic. Jazz has been called America's classical music, and for good reason. Along with the blues, its forefather, it is one of the first truly indigenous musics to develop in America, yet its unpredictable, risky ventures into improvisation gave it critical cache with scholars that the blues lacked.
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