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https://en.wikipedia.org/wiki/Jean_Tinguely
Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as metamechanics) that extended the Dada tradition into the later part of the 20th century. Tinguely's art satirized automation and the technological overproduction of …Born: 22 May 1925, Fribourg, Switzerland
http://www.dreamideamachine.com/en/?p=13167
22/05/2020 TRACES. Today is the occasion to bear in mind Jean Tinguely (22/5/1925-30/8/1991). He is best known for his machinelike kinetic sculptures that destroyed themselves in the course of their operation, or Kinetic art, in the Dada tradition, known officially as metamechanics. Tinguely’s art satirized the mindless overproduction of material goods in advanced industrial society.
https://brewminate.com/art-and-industrialization-in-jean-tinguelys-homage-to-new-york/
Feb 04, 2021 · A Self-Destructing Spectacle. In the spring of 1960, Homage to New York counted as one of the most exciting artistic events of the season. To create his spectacularly exploding machine, Swiss artist Jean Tinguely forged together a 23-foot-long by 27-foot-high assemblage of bicycle wheels, motors, metal drums, an old address labeling machine, a child’s go-cart, a piano, and an enameled …
https://smarthistory.org/tinguely-homage-new-york/
A self-destructing spectacle. In the spring of 1960, Homage to New York counted as one of the most exciting artistic events of the season. To create his spectacularly exploding machine, Swiss artist Jean Tinguely forged together a 23-foot-long by 27-foot-high assemblage of bicycle wheels, motors, metal drums, an old address labeling machine, a child’s go-cart, a piano, and an enameled bathtub—all …
https://nicolasstrappini.files.wordpress.com/2016/06/jean-tinguely-neo-dada-anti-art-the-subversion-of-the-utilitarian-purpose-of-contraptions-and-explosive-science-and-physical-comedy-by-signer-and-fischli-weiss.pdf
This piece of writing aims to provide an argument for the statement: ‘The spirit of Neo - Dada leapt from Jean Tinguely to Roman Signer and Fischli and Weiss’. If art theory proposes absolutes, then we are to say Dadaism began in 1915, and ended when Russian Constructivism started in the 1920’s.
https://www.bu.edu/sequitur/2016/04/29/schoenberger-tinguely/
Apr 29, 2016 · Explaining how critique functioned by way of humor in Tinguely’s work, Popper writes: “For Tinguely, we must bear in mind, the machine incarnates human intelligence: its beauty as well as its capacity for movement help to explain its attraction for him. Thus we can expect that the metamorphoses of the machine will bring about a corresponding dynamic effect in the spectacle, which reaches the …
http://link.bu.edu/portal/Jean-Tinguely--27.-September-1985-bis-6.-Januar/fG7C8Jq-I54/
The item Jean Tinguely : 27. September 1985 bis 6. Januar 1986, Kunsthalle der Hypo-Kulturstiftung, [Die Ausstellung wird veranstaltet von der Kunsthalle der Hypo-Kulturstiftung ; Katalog, wissenschaftliche Bearbeitung, Stefanie Poley, Carla Schulz-Hoffmann] represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.
https://www.theartstory.org/movement/kinetic-art/artworks/
May 01, 2018 · Artist: Jean Tinguely. Homage to New York was constructed over three weeks in the sculpture garden of the Museum of Modern Art in New York, with the assistance of several other artists and engineers including Robert Rauschenberg. On its first unveiling in March 1960, it set itself on fire and self-detonated over the course of a 27-minute display of noise and light (to the complete surprise of …
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