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https://www.jimaitchison.org/
Jim Aitchison is a composer, artist and teacher interested in engagements between sound and image
http://www.jaitchison.com/
James Aitchison • Paintings & Drawings In 1958 I was saved from myself by my 8th grade art teacher, who guided me to a traveling van Gogh exhibition at the Los Angeles Museum of Natural History.
https://www.jimaitchison.org/art
© Jim Aitchison 2020 . Photography, Lucie Averill, Oliver Godow, Richard Bram, Filipa Cardoso
https://www.jimaitchison.org/biography-and-cv
Peter Sheppard Skærved in conversation with Jim Aitchison about their ongoing collaboration and the composer’s responses to visual art. November 8th 2007 – Fugue Refractions (after Laocoön) with Peter Sheppard Skærved violin, in Barnes Hall Auditorium, Cornell University, New York. November 30th 2007- Forms of Resonance – Sculpture of ...
https://www.jimaitchison.org/introduction
Art by Jim Aitchison. During many years working to create responses in music to artworks by some of the world's leading visual artists, Jim Aitchison has also been gradually developing his own approach to making visual objects. Starting out with graphic scores, the composer became increasingly convinced that a true, equal blending of visual and ...
https://uk.linkedin.com/in/jim-aitchison-33998414
About. Jim Aitchison works in the field of exploring intersections and rifts between art and music. As a composer, he specializes in engaging musically with art by leading visual artists, including...Title: Composer and Artist
https://www.jimaitchison.org/contrapunctus
About Contrapunctus. The piece presents a series of disconnections in uneasy, sometimes conflicting counterpoints: expressive, musical, visual, geographical, psychological, therapeutic and ideological. In Part 1, the repeated failed attempts to fashion and search inside the troubling ghostly head from Durer's Solid speak to the tides of living and making in such a context.
https://www.falmouth.ac.uk/staff/jim-aitchison
Jim Aitchison is a composer and artist, working both in the realm of responding to visual artworks and in that of making visual responses to music. His most recent work focuses upon mind and state. Jim teaches composition, theory and piano on the BA (Hons) Music course. As a composer, he has worked in response to a range of internationally important visual artists including Gerhard Richter, Antony …
https://www.jimaitchison.org/gerhard-richter
Portraits for a Study . In February 2014, Arts Council England, the PRS for Music Foundation, Yamaha UK, Falmouth University, The Royal Academy of Music and Goldsmiths University supported and participated in Jim Aitchison’s project to create 2 hours of musical responses to artworks by Gerhard Richter, in versions for distributed piano, and for string quartet.
https://www.jimaitchison.org/doris-salcedo#!
In 2008, as part of a Henry Moore Fellowship at the Royal Academy of Music, the composer created a response to Shibboleth, the astonishing giant crack created in the floor of the Turbine Hall at Tate Modern by the Colombian artist Doris Salcedo.
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