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Artist Placement Group – Art Term Tate

    https://www.tate.org.uk/art/art-terms/a/artist-placement-group
    The Artist Placement Group was founded in 1966 with the aim of placing artists in government, commercial and industrial organisations. The APG, founded by Barbara Steveni with her husband John Latham, emerged from the idea that artists are a human resource underused by society. Artists are isolated from the public by the gallery system, and in the ghetto of the art world are shielded from the …

Artist Placement Group – Context is Half the Work

    https://en.contextishalfthework.net/about-apg/artist-placement-group/
    The group was formed in the mid-1960s, around the couple Barbara Steveni and John Latham. It was particularly artists associated with St. Martin College of Art, where Steveni and Latham had taught, who gathered as a Think Tank for discussions in their house in Notting Hill. The APG was neither an artists’ collective nor a placement agency.

John Latham, Artists' Placement Group, destruction in art ...

    https://stewarthomesociety.org/art/latham.htm
    Returning to Latham and his failure to secure ongoing temporary teaching contracts from St Martins, his employers seem to have had issues with him using his teaching time to further the interests of the Artists Placement Group (APG). Latham claimed to be spending about 80 hours a week working on the APG project, and viewed it as an essential part of his teaching even when it was taking him away from the …

APG: Artist Placement Group - Overview Tate

    http://www2.tate.org.uk/artistplacementgroup/overview.htm
    The idea of Artist Placement stemmed from a group of UK artists, and was guided by John Latham and initiated by Barbara Steveni, who were experimenting with radical new forms of art. Directed by Steveni, the APG pioneered the concept of art in the social context.

John Latham 1921–2006 Tate

    https://www.tate.org.uk/art/artists/john-latham-1470
    John Latham’s Artist Placement Group residency at the Scottish Office’s Development Agency in 1975–6 led to a series of proposals … Tate Etc MicroTate 19

APG: Artist Placement Group - Bibliography Tate

    https://www.tate.org.uk/artistplacementgroup/bibliography.htm
    The Artist Placement Group: 1966-1989,' Variant 11, Summer, 2001. Deliss, Clementine. 'The Queel', Metronome , no. 8b with Chelsea College of Art.

APG: Artist Placement Group - Chronology Tate

    https://www.tate.org.uk/artistplacementgroup/chronology.htm
    The Destruction In Art Symposium (DIAS) is held at the Africa Centre in Covent Garden, London, bringing together a diverse group of artists including Barbara Steveni, John Latham and Stuart Brisley. The APG is formed in London by Barbara Steveni in collaboration with John Latham; they are joined by Jeffrey Shaw, Barry Flanagan, Stuart Brisley, David Hall, Anna Ridley and Maurice Agis, as well as Ian McDonald …

APG: Artist Placement Group Tate

    http://www2.tate.org.uk/artistplacementgroup/
    Introduction. The Artist Placement Group (APG) emerged in London in the 1960s. The organisation actively sought to reposition the role of the artist within a wider social context, including government and commerce, while at the same time playing an important part in the history of conceptual art during the 1960s and 1970s. The Observer journalist, Peter Beaumont, has described the APG as ‘one of the …

The Individual and the Organisation: Artist Placement ...

    http://www.ravenrow.org/exhibition/artist_placement_group/
    Raven Row. This will be the first retrospective of the pioneering artists' organisation Artist Placement Group, or APG, conceived by Barbara Steveni in 1965 and established a year later by Steveni and John Latham along with Barry Flanagan, David Hall, Anna Ridley and Jeffrey Shaw, among others. Between 1966 and the turn of the eighties, APG negotiated approximately fifteen placements for artists lasting …

Artist Placement Group - Wikipedia

    https://en.wikipedia.org/wiki/Artist_Placement_Group
    The Artist Placement Group (APG) was conceived by Barbara Steveni in London in 1965, and established in 1966 as an artist-run organisation seeking to refocus art outside the gallery, predominantly through attaching an artist in a business or governmental context for a period of time. Then the participating artists would try to create and organize exhibitions of work related to those new ...

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