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Johnnene Maddison Homepage - Johnnene Maddison

    https://johnnenemaddison.com/
    Johnnene Maddison – Photo by Jake Jacobik. Artist’s Statement. A near death experience changes everything. Once my art was often about women – their rights, their history, their challenges. I used photo collage, textiles, embroidery and paint.

Nearly There: Johnnene Maddison – Atelier Ludmila Gallery

    https://atelierludmila.com/johnnene-maddison/
    Johnnene Maddison Growing up near the Detroit Institute of Arts had a profound impact on the rest of my life as an artist. I was able to take art lessons at the Detroit Institute of Art from the time I was 10 years old until my late teens. Drawing while sitting on the floor beneath the Diego Rivera murals was an inspiring and empowering experience.

Johnnene Maddison - WESTLAND GALLERY

    https://www.westlandgallery.ca/johnnene-maddison.html
    Johnnene Maddison. RETURN TO ARTISTS. My intention is to understand concepts of individuality and the experience of women as both powerful and vulnerable. Through active, almost chaotic line and brilliant colour, I confront the complexity of identity, gender and a need to re‐invent myself after 40 years as a wife and mother. My current challenge is to navigate life as an artist and find my place among the female artists …

A Driving Force Maddison, Johnnene

    https://mcintoshdrivingforce.ca/biography/johnnene-maddison/
    Maddison holds a BFA from the Pratt institute, New York City (1965), as well as a Master of Arts in Education from the University of Michigan, Ann Arbor (1971). In the years between her BFA and MFA, she worked in art studios in Detroit and Los Angeles, and spent time in Venice, California.

Johnnene Maddison - Legion Magazine

    https://legionmagazine.com/en/2007/09/johnnene-maddison/
    Sep 01, 2007 · Johnnene Maddison wanted to find a way to recognize the contribution of Canadian women on the home front during World War II, and what better way than in quilting, sewing and embroidery– stereotypically a woman’s craft. Her choice of medium lends both truth and irony to the depiction of women’s work at that time.

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