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https://www.theartstory.org/artist/kosuth-joseph/
Joseph Kosuth was one of the originators of Conceptual art in the mid-1960s, which became a major movement that thrived into the 1970s and remains influential. He pioneered the use of words in place of visual imagery of any kind and explored the relationship …Nationality: American
https://www.moma.org/learn/moma_learning/joseph-kosuth-one-and-three-chairs-1965/
In One and Three Chairs, Joseph Kosuth represents one chair three ways: as a manufactured chair, as a photograph, and as a copy of a dictionary entry for the word “chair.”The installation is thus composed of an object, an image, and words.. Kosuth didn’t make the chair, take the photograph, or write the definition; he selected and assembled them together.
https://www.theartstory.org/artist/kosuth-joseph/artworks/
The Rosetta Stone is a historical precedent to Kosuth's work, such as his One and Three series, since the same statement is presented three times in the Egyptian artifact and the same thing is presented as words, an object, and a photographic reproduction in the artist's series.
https://magazine.artland.com/conceptual-art/
May 17, 2019 · Joseph Kosuth Conceptual art as a clear movement started emerging in the late-1960s. In 1967, Joseph Kosuth organised the exhibitions Nonanthropomorphic Art and Normal Art in New York, where works by Kosuth himself and Christine Kozlov were shown. In his notes accompanying the exhibition, Kosuth wrote: ‘The actual works of art are the ideas.’Estimated Reading Time: 7 mins
https://otis.digication.com/natalia_da_silva/Joseph_Kosuth
Digication ePortfolio :: Natalia Da Silva by Natalia Da Silva at Otis College of Art and Design. Theorist: Joseph Kosuth Kosuth belongs to a broadly international generation of conceptual artists that began to emerge in the mid-1960s, stripping art of personal emotion, reducing it to nearly pure information or idea and greatly playing down the art object.
http://usmfreepress.org/2019/04/01/art-history-taught-me-that-semiotics-is-everywhere/
Apr 01, 2019 · Kosuth said “art is making meaning,” and in his controlled museum installation he made a statement about objecthood. Each depiction is a representation of what a chair is, but none of these objects are what we conceptualize them to be. This begs the question: Is an object intrinsically neutral?
http://radicalart.info/concept/tautology/index.html
Joseph Kosuth acknowledged the connection between pop and conceptual art: "And in Jasper Johns' work – such as his 'Target' and 'Flag' paintings and his ale cans – one has a particularly good example of art existing as analytical proposition."
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