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Biography Julie Rrap

    http://www.julierrap.com/biography
    Julie Rrap’s involvement with body art and performance in the mid-70s in Australia continued to influence her practice as it expanded into photography, painting, sculpture and video in an on-going project concerned with representations of the body. Between 1986 and 1994 Rrap lived and worked in France and Belgium where she exhibited widely. This opportunity to broaden her horizons grounded …

Julie Rrap MCA Australia

    https://www.mca.com.au/artists-works/artists/julie-rrap/
    Lives and works Sydney, New South Wales. Julie Rrap’s involvement with body art and performance in the mid 1970s in Australia continued to influence her practice as it expanded into photography, painting, sculpture and video, in an ongoing project concerned with representations of the body. Between 1986 and 1994, Rrap lived and worked in France and Belgium where she exhibited widely.

Julie Rrap - HSC Visual Arts - Case Study 2. Postmodernism ...

    https://pmreglism.libguides.com/c.php?g=645185&p=4521378
    Nov 30, 2020 · Julie Rrap’s involvement with body art and performance in the mid-70s in Australia continued to influence her practice as it expanded into photography, painting, sculpture and video in an on-going project concerned with representations of the body. Between 1986 and 1994 Rrap lived and worked in France and Belgium where she exhibited widely.Author: Karen Bale

Activity 5 Julie Rrap

    https://artclassroomquest.wordpress.com/activity-4/
    Write 500 words on why it is important to use the frames to analyse an artwork and how analysing artworks informs their art making practice. This will have to be posted on the comments section on page ‘activity 5′. Make sure you reference how the tutorials and …

The art that made me: Julie Rrap :: Art Gallery NSW

    https://www.artgallery.nsw.gov.au/artsets/rk4kml
    In The art that made me, artists discuss works in the Art Gallery of NSW collection that either inspire, influence or simply delight them.This selection by Sydney artist Julie Rrap first appeared in Look – the Gallery’s members magazine.. The body and body doubling occur throughout Julie Rrap’s work. Her fascination with the figure is reflected in the works she has found formative in the ...

Julie Rrap NETS Victoria

    https://netsvictoria.org.au/artist/julie-rrap/
    Julie Rrap. Julie Rrap’s involvement with body art and performance in the mid-70s in Australia continued to influence her practice as it expanded into photography, painting, sculpture and video in an on-going project concerned with representations of the body. Between 1986 and 1994 Rrap lived and worked in France and Belgium where she exhibited widely.

Julie Rrap: The Fast and The Funny - Art Collector Magazine

    https://artcollector.net.au/julie-rrap-the-fast-and-the-funny/
    She also wrote the accompanying monograph and continues to follow Rrap’s practice with interest. For Lynn, Rrap is an important artist, not because she comments on the world we live in, but because she helps create it. “Art is a world-making activity,” she says. “Julie shows us the capacity of the human imagination to conceive of images that take her work, and our perception of it, to new depths and new …

Explore the work of Australian artist, Julie Rrap

    https://www.vizardfoundationartcollection.com.au/the-nineties/explore/julie-rrap/
    Julie Rrap is one of Australia's leading feminist artists. Since her first exhibition in 1982, she has been consistently committed to the exploration of the role—or absence of roles—of women in the history of art. Born Julie Parr, Rrap's inversion of her family name declares her oppositional stance.

Julie Rrap: Overstepping on Art.Base.BASE

    https://art.base.co/product/1900-julie-rrap-overstepping
    Oct 17, 2014 · Deeply based in the story of the body, Rrap’s art is always a surprise, resulting from an individual ingenuity that aligns with a feminist strategy to continuously seek and present the unpredictable and unanticipated…Increasingly, Rrap represents a body in pieces, inevitably raising ethical and aesthetic issues in relation to how we depict, interpret and understand the human form.

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