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https://en.wikipedia.org/wiki/Julieta_Aranda
78 rows · Julieta Aranda is a conceptual artist that lives and works in Berlin and New York City. She received a BFA in filmmaking from the School of Visual Arts and an MFA from Columbia University, both in New York. Her explorations span installation, video, and print media, with a special interest in the creation and manipulation of artistic exchange and the subversion of traditional notions of commerce through art …Born: 1975, Mexico City, Mexico
https://www.artsy.net/artist/julieta-aranda
Conceptual artist Julieta Aranda explores ways of experiencing time, space, and the dissemination of information in her multimedia works, videos, installations, and printed media. “My work is focused on the aesthetic potential of the role played by circulation,” she says. “Not being media-specific, I manipulate existing circulation formats, in an effort to generate viable propositions for alternative transactions of …Nationality: Mexican
https://www.artsy.net/artist/julieta-aranda/works-for-sale
Conceptual artist Julieta Aranda explores ways of experiencing time, space, and th…. Julieta Aranda - 7 Artworks for Sale on Artsy. Skip to Main Content. Artsy. Search. Search. Artists. Portrayals of Queer Love. Contemporary Women Surrealists.Nationality: Mexican
https://www.mor-charpentier.com/artist/julieta-aranda/
Julieta Aranda was born in Mexico City in 1975She currently lives and works between Berlin and New York. In her artistic practice, Julieta Aranda composes sensorial encounters with the nature of time and speculative literature. She observes the altering human-earth relationship through the lens of technology, artificial intelligence, space travel and scientific hypothesis.
https://ocula.com/artists/julieta-aranda/
Jun 30, 2018 · Julieta Aranda Biography My work is focused on the aesthetic potential of the role played by circulation. Not being media-specific, I manipulate existing circulation formats, in an effort to generate viable propositions for alternative transactions of cultural capital.
http://www.artnet.com/artists/julieta-aranda/biography
Julieta Aranda, Read more, Art Lies, Issue No.58, Summer 2008 Francesco Pellizzi. Airports and Museums, Res , 53/54, Anthropology and Aesthetics, Spring/Autumn 2008 Jocelyn K. Glei. Mexican Contemporary Art, Artkrush , Issue #82, Made in Mexico, April 16 2008 Mariana Silva. E-flux Video Rental em Lisboa: Entrevista a Anton Vidokle e Julieta ...Nationality: Mexican
https://www.artspace.com/artist/julieta-aranda
Follow. Julieta Aranda’s work is focused on the aesthetic potential of the role played by circulation. Not being media-specific, she manipulates existing circulation formats, in an effort to generate viable propositions for alternative transactions of cultural capital. These explorations have taken several forms, including printed media, installation, video and the creation of alternative spaces in order to explore …
https://www.monash.edu/mada/events/2021/disorganising-Julieta-Aranda-on-TimeBank
Julieta Aranda was born in 1975 in Mexico City. She received a BFA in filmmaking from the School of Visual Arts (2001) and an MFA from Columbia University (2006), both in New York. Her explorations span installation, video, and print media, with a special interest in the creation and manipulation of artistic exchange and the subversion of ...
http://www.artealdia.com/International/Contents/Artists/Julieta_Aranda
And in Aranda’s memorable and very beautiful intervention at the Guggenheim Museum—inaugurating the experimental series “Intervals,” which responds to the innovations and new developments emerging in contemporary art—the artist presented four works that addressed what she conceives as “subject formation” and the assertion of one’s dominion over one’s own time as a condition for individuation.
https://www.artnews.com/art-in-america/aia-reviews/julieta-aranda-62550/
Sep 01, 2018 · Julieta Aranda. For “Ghost Nets,” Berlin-based Mexican artist Julieta Aranda transformed Galería OMR into a sort of De Stijl-inspired videogame landscape. Black, …Author: Gaby Cepeda
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