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https://www.biography.com/artist/kara-walker
Oct 16, 2020 · Kara Walker is an African American artist who rose to fame for her use of large paper silhouettes to explore social issues surrounding gender, race and Black history. Who Is Kara Walker? …Author: Ian Aldrich
https://www.metmuseum.org/art/collection/search/490686
African/American 1998 Kara Walker American Silhouettes—those traditionally small and genteel forms of nineteenth-century portraiture—are (sometimes literally) turned on their heads in Kara Walker's work.
http://www.artnet.com/artists/kara-walker/
Kara Walker is a contemporary African-American artist known for her exploration of race, stereotypes, gender, and identity throughout American history. She is best known for her large-scale tableaux of collaged silhouettes amidst black-and-white pastoral landscapes. Often filled with brutal and harrowing imagery, Walker provocatively illustrates the country’s origins of slavery in the antebellum South.Nationality: American
https://www.moma.org/collection/works/61470
Kara Walker African/American 1998. Not on view. In the 1990s, American artist Kara Walker revived the art of the cut-paper silhouette, popular in nineteenth-century portraiture. Walker transformed this medium to suit her more transgressive aims, using the spare elegance of the black forms to depict scatological and sexually explicit tableaux set in the Civil War South.
https://www.artsy.net/artwork/kara-walker-african-slash-american
Kara Walker is known for creating black-and-white silhouette works that invoke themes of African American racial identity. Her subjects, often scenes of slavery, conflict or violence, are rendered in a style recalling traditional African illustration and folklore of the pre-Civil War United States; the works preserve and draw critical attention to these earlier cultural epochs.
https://www.britannica.com/biography/Kara-Walker
Kara Walker, (born November 26, 1969, Stockton, California, U.S.), American installation artist who used intricate cut-paper silhouettes, together with collage, drawing, painting, performance, film, video, shadow puppetry, light projection, and animation, to comment on power, race, and gender relations.
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