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“Melancholy as a Narcissistic Neurosis in Kristeva’s ...

    https://www.psychoanalytischeperspectieven.be/vol-30-c-2012/kristeva-melancholy-as-a-narcissistic-neurosis-in-kristevas-soleil-noir
    Kristeva illustrates her proposition with an analysis of Holbein’s work The Dead Christ. The aspect of a dead past continues to haunt throughout several degrees of depression and melancholy. In this way her position closely lines up with Freud’s concept of narcissistic neurosis as Freud extended this concept to psychosis. As a consequence, Kristeva’s position leads to a paradox: on the one hand she claims that melancholia …

Melancholia becomes the subject: Kristeva's invisible Thing'

    https://www.jstor.org/stable/43263369
    Kristeva's interest in the Holbein painting thus appears to emanate from its ability to foreclose entry into the realm of the symbolic. Undoubtedly Holbein forces the spectator to face an imaginary elaboration of that which cannot be portrayed. What Kristeva terms the representation of 'severance' is the depiction of the disintegration of desire, the

Black Sun: Depression and Melancholia by Julia Kristeva

    https://ir.uiowa.edu/cgi/viewcontent.cgi?article=1371&context=ijls
    In her incisive analysis of Holbein, Gerard de Nerval, and Dostoy­ evsky, Kristeva moves beyond linguistic and clinical concerns to illustrate her point that melancholy is an important psychic source for artistic inspiration. While loss stimulates artistic imagination, the creation of artistic and literary texts also represents a struggle againstAuthor: Greg Eiselein

NUMBER 3 WINTER 1987 Julia Kristeva ON THE …

    http://banmarchive.org.uk/collections/newformations/03_05.pdf
    Julia Kristeva ON THE MELANCHOLIC IMAGINARY Melancholy is amorous passion's sombre lining. A sorrowful pleasure, this lugubrious intoxication constitutes the banal background from which our ideals or euphoria break away as much as that fleeting lucidity which breaks the …

Julia Kristeva, Giotto's joy : Holbein's dead Christ ...

    https://philpapers.org/rec/KRIGJ
    Kristeva and Holbein, Artist of Melancholy. John Lechte - 1990 - British Journal of Aesthetics 30 (4):342-350. 10.1 Introduction to Cardinal H. E. Manning's "Christ Preached in Any Way a Cause of Joy". James Pereiro - 2003 - Logos.Authors: Julia Kristeva, Columbia University

The Nature of Melancholy: From Aristotle to Kristeva ...

    https://www.amazon.com/Nature-Melancholy-Aristotle-Kristeva/dp/0195151658
    The Nature of Melancholy does an excellent job of tracing the history of efforts to find a language capable of sheltering humanity from that storm [in the mind]."-- Times Literary Supplement "With skill, Radden brings together in a single volume a marvelous collection of essays, excerpts, and writings on what is now usually called 'depression'.Reviews: 6

Holbein's Dead Christ, Dostoevsky's Idiot, and Chalcedon's ...

    https://www.theschooloftheology.org/posts/essay/holbein-dostoevsky-christ
    To return to Kristeva’s penetrating analysis for a moment, she too recognizes that while Holbein’s Jesus is utterly abandoned and lonely in death, the painting both “rejects us and invites us” (p. 114); it rejects us by sealing the corpse in a tomb, and invites us by its very realism that identifies Jesus as …

Black Sun: Depression and Melancholia by Julia Kristeva

    https://www.goodreads.com/book/show/153274.Black_Sun
    Kristeva's concept of the depressed/melancholic female being buried inside herself was quite an amazing perspective. She uses Marguerite Duras' Hiroshima Mon Amour like Cathy Caruth and almost completes the analysis that Caruth leaves off. She calls female depression in particular "cannibalistic".4/5(24)

Julia Kristeva - Wikipedia

    https://en.wikipedia.org/wiki/%D0%AE%D0%BB%D0%B8%D1%8F_%D0%9A%D1%80%D1%8A%D1%81%D1%82%D0%B5%D0%B2%D0%B0
    Julia Kristeva (French: ; Bulgarian: Юлия Кръстева; born 24 June 1941) is a Bulgarian-French philosopher, literary critic, semiotician, psychoanalyst, feminist, and, most recently, novelist, who has lived in France since the mid-1960s.She is now a professor emeritus at the University Paris Diderot.The author of more than 30 books, including Powers of Horror, Tales of Love, Black ...

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