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https://cristearoberts.com/artists/80-lisa-milroy/
Lisa Milroy was born in 1959 in Vancouver, Canada, and moved to London to study at St Martin's School of Art and Goldsmith's College of Art from 1979 to 1982. Through the subjects of still life, landscape, architecture and portraiture, Milroy explores the themes of making, looking, touch and transformation in …
All text and images © Lisa Milroy 1980 - 2021 Lisa Milroy
https://www.tate.org.uk/art/artists/lisa-milroy-2220
Lisa Milroy. Ahead of the first posthumous exhibition of works by Rose Finn-Kelcey (1945–2014), artist Lisa Milroy remembers her inspirational friend. In the shop.
https://www.royalacademy.org.uk/art-artists/name/lisa-milroy-ra
Dec 13, 2005 · Lisa Milroy RA (b. 1959) Artworks. CV. Become a Friend. Lisa Milroy studied at St Martin’s School of Art, London from 1977 to 1979 and at Goldsmiths College of Art, London from 1979 to 1982. In the period following graduation from Goldsmith’s Milroy concentrated on painting everyday and household objects, often arranged in rows or patterns against plain backgrounds.
https://www.artsy.net/artist/lisa-milroy-1
Making (after “Women engaged in producing colour woodblock prints”, central sheet of triptych colour woodblock print circa 1803 by Utamaro Kitagawa), 2020 £2,000 Looking, (after “Women engaged in producing colour woodblock prints”, right sheet of triptych woodblock print circa 1803 by ...Nationality: Canadian
https://lessknownfacts.com/10-facts-about-lisa-milroy/
Let me show you Facts about Lisa Milroy if you want to know the Anglo-Canadian artist. She was born on January 19th, 1959. The birthplace of Milroy was located in Vancouver, British Columbia. Her work is focused on the usage of still life paintings that she arranges in patterns or lines.
https://www.christies.com/en/lot/lot-6223700
Painted in 1985 and subsequently included in the travelling exhibition Current Affairs: British Painting and Sculpture in the 1980s, Lisa Milroy’s Three Skirts demonstrates the artist’s fascination with objecthood. In the present work, Milroy’s titular skirts are warmly tactile, and her expressive, at times loose, brushwork emphasises the sheen and weight of the fabrics.
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