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https://www.wikiart.org/en/artists-by-art-movement/op-art
From 1961 to 1968, the GRAV (Groupe de Recherche d’Art Visuel) founded by François Morellet, Julio Le Parc, Francisco Sobrino, Horacio Garcia Rossi, Yvaral, Joël Stein and Vera Molnár was a collective group of opto-kinetic artists that—according to its 1963 manifesto—appealed to the direct participation of the public with an influence on its behaviour, notably through the use of interactive …
https://en.wikipedia.org/wiki/List_of_Op_artists
The following is a list of notable op artists: Yaacov Agam (born 1928) Josef Albers (1888–1976) Richard Allen (1933–1999) Getulio Alviani (1939–2018) Anonima group; Richard Anuszkiewicz (1930–2020) Marina Apollonio (born 1940) Gianni Colombo (1937–1993) Carlos Cruz-Díez (1923–2019) Tony DeLap (1927–2019) Günter Fruhtrunk (1923–1982)
https://mymodernmet.com/illusion-art/
Jun 30, 2017 · 15+ Artists Whose Mind-Bending Optical Illusions Will Make You Look Twice. By Sara Barnes on June 30, 2017. Art has the ability to amaze and inspire, and few artworks do this better than those that fool the eye. These types of art—aptly referred to as illusion art—easily trick the viewer into believing what they think they see.
https://www.pastemagazine.com/design/look-twice-10-artists-who-specialize-in-optical-illusion/
Sep 22, 2013 · Look Twice: 10 Artists Who Specialize in Optical Illusion. By Laura Medina September 22, 2013 10:38am. Design Lists. M. C. Escher, Dalí and Duchamp were old champs at the art …
https://www.britannica.com/art/Op-art
The principal artists of the Op art movement as it emerged in the late 1950s and ’60s were Victor Vasarely, Bridget Riley, Richard Anuszkiewicz, Larry Poons, and Jeffrey Steele. The movement first attracted international attention with the Op exhibition “ The Responsive Eye” at the Museum of Modern Art in New York City in 1965.
https://www.theartstory.org/movement/op-art/
Artists have been intrigued by the nature of perception and by optical effects and illusions for many centuries. They have often been a central concern of art, just as much as themes drawn from history or literature. But in the 1950s these preoccupations, allied to new interests in technology and psychology, blossomed into a movement.
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